Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这电影就是一个加长的小品，还没小品好玩。。。这再一次说明了一件事儿，那就是电影不是谁都能拍好的，好些演员都觉得自己观众缘好演技好然后自己导个电影应该也不错，但真不是这么回事儿！
作为中国本土情怀的深夜食堂，烧烤比电影更吸引人。
结局还是很温情的. 真的太喜欢丽莎那种古灵精怪的气质了. 就是内特和莉比 真的太成熟了…
崔志佳的创作笑点真的可以 演员表演不尴尬 良心不俗 包袱不断 从头笑到尾
很土，很 gay
导演的拍摄手法被人诟病，豆瓣评分5.4，依然挡不住我对它的喜爱。喜剧能不能逗你笑，其实没有个标准，因为大家笑点都不一样。好的喜剧不是因为它可以戳中所有人的笑点，而是它总能想办法让你和它达成共情。
随便点开的，没想到还不错！有笑点！比那些东北莫名其妙的网剧出彩多了！
为开了智的细腻温柔的孩子打四星。为何有些娃还在玩泥巴
故事多少讲清楚了吧，但是就是手法上太像小品了，适合消磨时间看看。
有种小品的幽默 馕哥 哈哈哈哈 甲 乙吃辣吗
希望中国电影越来越好，给四星 是为了鼓励，毕竟剧本没硬伤，崔志佳加油！
4 当个背景声儿吧 打信息差空手套员工那段倒挺有意思的
就是一个会唱歌、会独白的小男孩的明星梦实现的故事！
哎真的很好笑啊，妻子怀孕那个细节也真实，孕中期已经不用化妆品了。我东北的特别能感受到笑点，两个人都特开心。乐喷了乐喷了。
作为网大很好了，超出预期，比很多龙标电影都好。立意不俗套，结局也不错。
中规中矩的迪士尼小鬼头歌舞片，我是来看菲比的，老了很多啊，唏嘘
这剧本一顿夜宵就能写出来了吧 都不用改第二次
喜欢的都会喜欢。好久没看到迪士尼这么简单温暖的追梦电影，虽然剧情上没有像魔法奇缘、歌舞青春或者马戏之王这么丰富。但灯光、色调以及运镜都十分的迪士尼，尤其是小男主的表现非常亮眼，当然还有我们喜欢的菲比阿姨。歌曲很好听，结尾的独唱很感人。的确是迪士尼电影的一大突破，隐晦的表现出男主的取向。为什么喜欢唱musical的男孩都会这样，纯爷们就不能喜欢唱音乐剧？
本来只想给四星或者三星，但是老爷子对自己事业的那份忠诚，真的想起了自家，我们希望老人不累，但老人他只是想继续做自己喜欢的事情
轻松的喜剧，啥也没有还挺好看的，娱乐一下就过去了。
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