With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
说俗套也俗套，说不俗套只因为是亚裔男主角？
不该跟男二道歉吗？？？这个欧阳万成的表演真的是还没有他戏里的奶奶演的好…
Christmas movie 2021 home alone
其实想打三星的，欧阳万成演技还是略微刻意，全程感受不到他对女主的爱，就一直就是对女网友的态度。不过也是因为欧阳万成加一分，希望他以后演技可以跟脱口秀一样棒
无语 亚裔男主实在太难带入了 最惨的是那个被偷了照片的男的 自己啥也没做错被骗了 最后女主被老板提醒 貌似醒悟了觉得自己爱的是亚裔男 但但凡之前心里有爱 也不会一点都看不出来 就真的没有chemistry啊 但是男生喜欢做蜡烛 做出了跟爷爷味道一样的蜡烛这个情节还蛮喜欢的 结尾还借鉴了真爱至上 电影的情节
又到了年底Netflix的欢乐烂片批量发货的季节。还蛮cute的。
故事肤浅角色单薄，但还是看得下去的。baby it's cold outside新编不错
大数据电影 看开头就能猜中结尾的那种 每个角色都好典型哈哈
大数据电影 看开头就能猜中结尾的那种 每个角色都好典型哈哈
Asian male lead who’s not hot is just what we need
活着见到nina新电影了…有点过于美好的故事，有些戏剧性也很那个，但是很温馨，主角演技很细腻看得很舒服…偶尔还是要靠点幻想故事温暖生活呀
做针对男生的蜡烛还真是个好商机；另外，怎么会有人不喜欢真爱至上？！
我好喜欢啊阿啊阿啊啊啊啊啊啊。这种简单快乐有点小细节的电影太容易让人肤浅地开心了
还是有不少脚趾抠地的情节 比如照搬酷memow人设让亚裔老太太饭桌上大开黄腔 这是什么 逆向文化挪用吗
真的太可爱了… 但是怎么十一月就开始过圣诞了，周末晚上看完一阵恍惚感觉马上就要放假新年了😂😂😂
有的桥段挺搞笑，但是感觉整部片就是为了结尾“致敬”，细节经不起琢磨，真较真起来得骂男主。
大多数人都想找一个一起看报纸的人
Jimmy O.Yang's eyes are dead. There ain't no emotions in thoses eyes.
大多数人都想找一个一起看报纸的人
还是有不少脚趾抠地的情节 比如照搬酷memow人设让亚裔老太太饭桌上大开黄腔 这是什么 逆向文化挪用吗
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