The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
和《四月三周两天》有什么区别？同类题材的电影至少多点变化才好冲奖吧。
《朱诺》→《从不，很少，有时，总是》→《正发生》
对比 从不，很少，有时，总是，四月三周两天
“他们认为女性不需要选择权。”
补标#SGIFF。只有一幕直面的血淋淋但是痛感直冲每一根神经。
对，我就笑点低——所以全程觉得笑点特别密集。
像是《索尔之子》的导演拍了《四月三周两天》
太疼了，女人看了更觉得难受。没人能帮你，孤立无援。
索尔之子的主观视觉距离去感受四三二的痛感，题材本身值得四🌟
前段时间偶然看了四五分的月球陨落，相比之下，沈腾就太优秀了！
比较能代入的电影，完全的女性视角，那个年代的法国少女所受的约束和不平等甚是让人出乎意料。波伏娃说，“一个人并非生下来就是女人，而是逐渐长成了女人”。甚是同意。
故事拍的太小了，期待更多来着；4:3确实有荧幕冲击力；女主还是蛮可爱的，不是典型法国人样子，看着太稚嫩了些；意大利语字幕看着真难受；Louise又来打了个酱油……
3.5。三段墮胎戲的確傳達了極強的張力與同感，但圍繞墮胎問題的其他要素仍然停留在「mention」層面。
一种只会攻击女人的病，把她们变成家庭主妇的病
堕胎题材一再搬上荧幕，《四月三周两天》《从不很少有时总是》，这部介于二者之间，手持跟拍近景等很达内
落进马桶的扑通声 无法及不能剪断
心碎，但又很可惜，对周遭世界的描绘还是太平面了，没有进一步的发掘。但除此之外都很好，手持摄影让神经紧绷，对剧本的处理也不落俗套，比那部《纽带》不知高到哪里去了。
"I'd like a child one day...but not instead of a life. I could hate the kid for it. I may never be able to love it."
一切都恰到好处（juste）。刚看完电影，下午就采访到了导演和女主演，值了！
432的另一面，非常直接和现实的展现了痛苦的过程
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