Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
有无数处理这个结局的办法，但是剧组用了最最最最最最最最最最差的一种方式来处理
三年前以为结局在平成final，结果是龙套
还行吧，感觉中规中矩
为了剧情而剧情。太过粉丝向，而我只是个路人
goda的形态跟纸糊的一样好丑
有刀有糖
主角团的颜值甚至比十年前高
借着十周年的噱头明着给人喂翔，我一个骑士飞踢把主创们的*创到螺旋升天翘jiojio
现在以为10周年终于能大结局了，结果还是刀子
槽点还是挺多的，片长太短。但是，十年前，作为小孩子的我很喜欢，看的第一部假面骑士
ankh复活了，映司也拯救了手所能触碰到的生命，可惜。。。
有无数处理这个结局的办法，但是剧组用了最最最最最最最最最最差的一种方式来处理
四分吧，我找到的时候真的没发现这个剧场版竟然才不到一个小时。哪家剧场版这么寒酸啊？至少得一个多小时吧。怪不得后期节奏快到飞起。甚至都不知道八百年前的王是怎么复活的。(ᇂ_ᇂ|||)
碍于篇幅，对反派表现比较敷衍，与TV的故事风格有明显差别，但人设没崩，充满了对TV的各种致敬。算是比较圆满的粉丝向作品。
除了情怀其他都不太行，剧本赶的起飞，文戏不丰满打戏不精彩，太多的背景完全不解释，或者一笔带过，可见经费捉襟见肘，说白了还是急着捞一笔
没有小林靖子的ooo只能说是低劣的仿制品。整部剧场版就透露着贫穷这两个字，对十周年的纪念作我怎么就抱有期待呢！和朋友吐槽觉得最好看的是几段回忆杀直接放了tv片段，哭死我了并不是因为这部剧场版有多好看，而是我还在小林病院就没出来过…
真的是十年磨一刀，再也穿不到明天的新内裤了😭😭😭
时间拿走了我最重要的东西，却不会归还于我。
为了回归而回归，一点诚意都没有，妥妥的消费
tnnd，节奏巨快，拿着毒鸡汤直接甩给我。虽然有很多经典回忆，但总感觉太刻意了。勉强给个3星，完全是最后的OP给的
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