Moving to Portland, Oregon and finding work in food service is easy for Paul and Ramona. A struggling musician without bandmates, Paul becomes introverted and moody. Ramona's friend from college introduces her to a new social circle and she goes out while Paul stays home. When Ramona confronts turning thirty, it's time to grow beyond old routines and her relationship with Paul comes to a head.
Paul and Ramona, a young couple in need of a change, move to Portland, Oregon from their hometown of Boise. Upon arriving, they sublet an apartment and begin to familiarize themselves with the city. While finding work is easy (Ramona begins waitressing, while Paul gets a job at a coffee shop), change is difficult. Their life in this new city seems to be on repeat. When their car breaks down and a tandem bicycle becomes their primary means of transportation, Ramona refuses to ride.
A struggling musician, Paul, spends most of his time at home, steadily becoming introverted and moody, while Ramona, at the insistence of a co-worker, is thrust into a new social circle, where she begins an affair with a co-worker. Ramona and Paul’s relationship implodes after she confesses and in the ensuing conflict, she impulsively leaves to stay with a friend. Paul, desperate to work through the pain of the split, befriends a quirky barista named Ali. This friendship gives him a chance to begin to heal and inspires him to focus on expression through his music.
/小夫绿衣服挺好看的，这部对小夫有点儿改观。
里面内容可不太简单啊，有1984、独裁者等等，有点儿意思
54th 还不错啊，至少观影挺轻松的也不沉闷，劳模姐很稳定的喜剧表演。劳模姐在好莱坞兢兢业业认真拍戏这么多年，确实值得奥斯卡提名鼓励。总比某些靠漏阴炒作把表演当做名利和事业回春的工具，表面be kind背后阴招不断捧高踩低的双面人强。
好难看，配音很差，特别吵，不过里面的立意不错
说实话我觉得至少七分水平还是有的，翻拍是很常见的续命手段，无需太过质疑。
没什么好说的，每年必看的kpi，哆啦A梦好可爱哦！天赐我们自由！
Julien Baker看这片估计能看出ptsd来哈哈哈
感染力女王握着别人手时、站上舞台时，世界好像只剩下她，和身后耀眼的光芒。越来越喜欢看传记电影，尤其是没有明确价值导向的情况下，重点去凸显人物的深刻特点。
p.s.劳模姐贡献了一次整容级别的演技，的确是这届奥斯卡最有力的竞争者。
比想象中要空洞 好像已经没有了“任意门”的吸引力 途中睡了一会 但还是希望小朋友们会喜欢
2++
情怀也弥补不了 剧情的低幼了，我可能过了这个年纪了
查斯坦凭演技封后绰绰有余，关键影片本身质量能不能让奥斯卡给这个面子？纵观竞品，质量也没有拔高的，所以劳模确实要拿到她人生中第一座小金人了。
关键就是Jessica Chastain和Andrew Garfield的表演太精彩了，把电影前半段的作都给淡化了，另外影片后半段对前半段的作能够很好的自圆其说，也是很好的。豆瓣6.6给低了。
可能是原型人物的原因，劳模姐的表演总让我觉得不那么信服，不过看别的短评说劳模姐认为女主百分百真诚，那或许吧……电影要抓的点太多导致太散，故事本身还行。今年应该就是劳模/妮可二选一，我偏向妮可，劳模和这个角色还差点。
三星全给劳模姐的表演，硬生生的把肤浅的剧本给演出深度来，奥斯卡影后拿的顺理成章。本来是一个很不错的题材，但是根本没敢深度挖掘电视福音传教机构这个庞大的骗人产业。只是蜻蜓点水的“你好我好大家好，坏蛋只有一个”。加菲演技在劳模姐面前彻底崩溃，俩人最激烈的一场对手戏，只有劳模姐一个人在拼，加菲脸上贴着假皱纹，根本没演出感觉。差太多啦！
传记片的基本盘，但全然是不平衡到与最佳剧本背道而驰，原型人物的弧光会被什么样的制作抹平呢？两星半
关键就是Jessica Chastain和Andrew Garfield的表演太精彩了，把电影前半段的作都给淡化了，另外影片后半段对前半段的作能够很好的自圆其说，也是很好的。豆瓣6.6给低了。
那个年代保守派基督教女性另一种面向。影片营造的浮夸感开始会令人生疑，到最后经历过身心的跌宕，能够确定Tammy始终坚定并真诚地相信上帝爱众人。Jessica的表演非常投入，要好运啊！
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