Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
真的所谓的豆瓣5星评论真的毫无可取，电影情景好？呵，了解韩国的国情之后就不会这么说了。
业务水平也不错，感染力强。
电影比较紧凑，看得很爽，但高潮部分却不够精彩。
反诈宣传片也拍得挺流畅的，没觉出来哪里又乳了，字幕组每次费劲扒拉还要解释就挺没劲的，兹山鱼谱也是这样
不知道为什么有人说这部片看着恶心，首先导演针对社会问题敢于去拍就已经很不错了
单纯看看动作戏就好了，这种娱乐国精的套路被方世玉叶问之类的演烂了
虎门硝烟这段历史我们中国民族不该忘记，中华雄起！
还行。把诈骗套路都说的很清楚了。就是现在国内已经没有呼叫中心了。都转移到东南亚了。整体还算流畅。为啥我们拍的巨额来电看着就这么奇怪呢。就是在国内这个韩国police居然领导ga，这不合理。
又一部网大，还行，能看，就是决战稍微打得尴尬草率了点。本来想给三星的，结果你这么个题材片尾曲来首嘻哈，给我整吐了。
—“华继良 天都是黑的 就凭你们 亮不起来！”
精致版的香港武打片，打完了官兵就来打扫战场了
主演是当年跟着李连杰演打戏的小孩哇。
情节紧凑，剧本质量不错，对群众有一定教育防骗意义。
之前一直没怎么关注过谢苗，直到看完《目中无人》后惊叹于他的打戏，所以就马不停蹄地把本片也给刷了，结果，又被香到了..首先这个切入点就很聪明，我们都知道林则徐虎门销烟，可我们并不知道这一历史事件背后有多少血泪。本片以动作片为引，挖出来的实则是极为深邃的东西。个人感觉很好，四星奉上，反正不管怎么说都不可能是这个搞笑的6.2分。
中国部分是在西安拍的，雾霾，电信诈骗，这导演是在西安生活过吧
必须五星支持，还可以从评论区看到有多少汉奸，阴阳怪气
很一般，剧情老套，主角光环太大，而且总感觉主人公的动机不足。把中国的环境渲染的像九十年代一样，很无语
IP电影不错，不过跟香港电影剧情比，少了一点；但是棒子的剧情取材和衔接非常值得大陆学习，人家才几千万人口，电影工业却如此发达、、、
男主很好看啊，有点像张国荣，还有点像白宇，剧情有bug，想进这行第一步不应该是被没收手机嘛…看彩蛋还有第二部
真的所谓的豆瓣5星评论真的毫无可取，电影情景好？呵，了解韩国的国情之后就不会这么说了。
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