Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
永远爱小黄人！！(///▽///)看得实在太欢乐了～鼓掌欢笑的快乐还是要去电影院呐
好久没看过这么烂的电影了，用脚写的剧本都比这部好，全片毫无逻辑，剧情尴尬。刚开始还觉得小黄人还是一如既往的可爱，但后面同样的包袱不停的出现，我是真的笑不出来了。
中国元素用的还是挺用心的，背景一闪而过模糊的店铺名都很好玩。新开出来的毛绒版小黄人能不能出周边
小屁孩们的初心就是有一群不离不弃的伙伴，然后一起给这个世界捣蛋
和女友首次的映画館デート选了两个人都喜欢且愿意在影院看的片 祇園祭喧闹后的疲惫在坐到椅子上时差点睡着 但一下就被开场的中国元素给笑醒 然后顺利看完 感想就是作为前传故事完整 看到梗和元素出现那么多有点开心但又觉得可惜 固有印象太深了 不管看几次 还是觉得小黄人就是最可爱的！可爱=正义 最后！我真的好想去隔壁USJ啊！！！
小黄人系列从来不会让人失望，全场充满欢乐，看完以后全场鼓掌就证明大家对于电影的满意。小黄人的可爱无厘头可以让所有的压力烦恼在电影院得到了释放，里面的中国元素也是非常尊重文化，功夫还是12生肖都做得惟妙惟肖杨紫琼配音的功夫阿姨也非常到位
雖然觀影體驗不錯，但我略嫌創意不夠。反派不夠魅力，劇情轉折不流暢，不喜歡Otto把玉弄丟的那個情節，但喜歡他把它找回來那一段。教功夫很標準化，十二生肖也很標準化，但我真的蠻喜歡片頭聽到中文歌。
PS 黄小胖傻人有傻福 一路欢乐 丝滑幸运
挖掘点别的元素也挺好的，即使是我们现在也不兴这个了
爆米花好好吃、
2.5 熊孩闯三藩，中华有神功。都在预告里了~
一锅炖大杂烩，为了卖萌而卖萌，为了搞笑而搞笑
可可爱爱！虽然我感觉中国元素并没有很明显，但是不用动脑，又能开心大笑，还那么可爱还有什么要求！
看完电影给照明娱乐想好了八百个周边，电影院却只有一款产品？！
看完电影给照明娱乐想好了八百个周边，电影院却只有一款产品？！
小黄人的知识储备又增加了，对凯文它们有了更多认知，主打的萌和轻松都在这里
优秀的爆米花作品，轻松愉快，完全没有无聊和不适，小黄人可爱到想入手周边！
真的很好啊，笑点满满，现在的动画片越来越多中国元素了。整场坐满了人，大家跟着欢呼氛围真的太棒啦。隔座马来人还跟着minions讲马来话哈哈哈哈
Pathé Delft | 和学生们作为散学仪式一起看的电影…完全荷兰语看下来好像也没那么难懂…果真欢乐的还是小黄人…
有点笑不出来的感觉，小黄人的坏是那种蠢萌的，但老爹的想坏就太刻意了。还有对中式元素的运用总有点怪怪的
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