Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
开头司机用石头砸死了垂死挣扎即将被另一条鬣狗咬死的伤狗，就暗示此人非善类。最后蠢汉被鬣狗咬死了，司机被人射箭杀死了，故事告诉我们：我族土地上的黄金怎么能让外人随随便便拿走，要想掘金走，留下两人头！
直接可以2倍速看的，刚开始还行，到后面烂尾了，结局一般。
这可大名鼎鼎的杰克鲍啊！！！！！！！！！！！！！！！！！！！！！！！！！
Man two man one没有名字的主角，却有工作和大致的地方。事件和所有电影一样，是想拍给更多的人看，讲道理给更多的人听。只是，这个道理太俗了，事件也太俗了。
这种智商活该老天让他发现这一大坨根本带不走的黄金
又臭又长的前奏，莫名其妙的兄弟抛弃，莫名其妙的复仇，什么破逻辑啊，商业垃圾片，唯一的收获就是打工还是要去有品牌的大公司。
小本还是别跟着派派演了，三回都死两回了(￣▽￣)
莫名其妙发现金子，莫名其妙杀了人，莫名其妙被被人杀了，一切都那么莫名其妙
看着太难受了，干燥，没水没食物，很不舒服的感觉。。
看多了奈飞那种快节奏但流水线的作品，这种娓娓道来甚至有些慢的“动作片”反而还不错，虽然“废戏”真的很多，比如儿子学游泳那里。再就是结局潦草，算是有些失望。
千万不要活成人为财死鸟为食亡，人生区区几十年，懂得取舍才是福。这部电影虽然夸张，但却覆盖了人性，引以为戒啊！
真特么应景，对没错，H5N1就是美国人放的。
看起来是很荒诞的故事，要是我，肯定会在挖出大块黄金，然后看到有车辆经过时，上前求救。这样安全离开，又有足够的黄金让自己过上好日子。不过，现实中，当你怀揣一大块黄金时，也很难想象其他人会对你做什么。
几乎都是一个人的独角戏！扎克 挨夫隆这种帅小伙竟然变成这么一个大叔。
克里斯派恩貌似兔唇的样子给人的印象倒是深刻，但剧情就是这样。
浅浅的剧本，重点在于导演能将它实现，以及演员在艰苦条件下的顶级演技
无知的人被咬死，贪婪无情的人被射死，好心的人被打死 都是金子惹的祸
整个过程看了力不从心，对话较多，老套的剧本精彩不足
被迫辞职 人生低谷 天降馅饼 死里逃生 发现阴谋 完美全杀
两个贪婪的蠢批，坑填上一起回去租拖车不就行了吗?
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