New York private detective Duncan "Mac" MacLain is blind but has keenly developed all his other senses. He pursues his work assisted by his faithful guide dog Friday, his butler, Alistair, and his assistant, Marty. Retired actress Norma Lawry, an old friend, comes to Mac seeking advice. Her headstrong 17-year-old step-daughter Barbara, herself a promising actress, is enamored with her leading man in a small theater production, the much older Lothario Paul Gerente. Paul, who had once been Norma's lover, has convinced Barbara that Norma actually wants Paul for herself and has only married her father Stephen for his money. At Mac's urging, Norma tried to reason with Paul, but he insists that he loves Barbara and laughs her off. Barbara is equally disdainful of her and agrees to meet Paul for dinner that night at his apartment.
Norma's husband Stephen Lawry is a scientist leaving that night on a trip to test a secret invention on which he has been working for the government and the war effort. Worried about Barbara, she uses a pretext not to accompany Stephen and goes to the apartment. When Barbara arrives, she finds Paul's dead body and thinks that Norma has killed him, even though Norma insists that he was dead when she arrived. Barbara threatens to call the police unless she leaves Stephen. Fearing that a scandal will hurt him, Norma agrees. Norma then turns to Mac, who goes to Paul's apartment with Friday and Marty, only to find the body and the rug under it missing. A man arrives to replace the rug and Mac hides in a closet, overhearing a telephone call to Norma's number from "Gabriel" to "Vera." Mac accidentally gives himself away, but with Friday's help overpowers Gabriel, who refuses to talk. Mac has Marty hide him to keep him under wraps.
Norma returns to her country home unexpectedly, which discourages an espionage ring that includes her butler, Hansen, from breaking into Stephen's safe and stealing his plans. They have killed Gerente, who was also an agent, and hidden the body. Mac arrives with Friday at Norma's house and pretends to be her curmudgeonly "Uncle Mac" who has come for a visit. His blindness lulls any suspicions Hansen might have about him. Shortly thereafter, Barbara comes home from an "emergency rehearsal", called to get her out of the house by her director, Cheli Scott, who inveigles an invitation to spend the night at the Lawry home. Unknown to Barbara and Norma, Cheli is the ringleader of the spies. Cheli ordered Paul killed because his affection for Barbara was beginning to limit his effectiveness, and she immediately suspects Mac is not what he seems.
Gabriel's wife Vera, the Lawrys' maid, is also a part of the plot. When Gabriel does not return home, Vera becomes hysterical with worry. Mac secretly asks Vera to meet him in the greenhouse, using her worry about Gabriel as a lure. She is observed by the others, however, and is killed by Hansen before she can reach Mac. The spies cut the house's telephone wires so that Mac and Norma cannot call the police, and Cheli has Mac locked up under guard. Using his blindness as a distraction, Mac overpowers his guard and releases Friday out a window with instructions to "go home and get Marty." Stephen arrives home and Cheli threatens his family if he does not give her the final step in creating his invention, which was not in the safe. Barbara finally realizes how much Norma actually cares for her. Mac tries to stall for time, but is locked in the cellar. When Hansen goes to kill him, Mac has broken the light bulb and his advantage of total darkness helps him overcome the spy. Marty and Friday return with the police. When Friday is spotted by a lookout, Mac overpowers him and is saved from being shot by another lookout by Friday. After the spies are captured, Stephen and Norma are off to Washington, D.C., with Barbara remaining behind to care for her new "Uncle Mac."
演员都挺好，但前半部分rush后半部分拖沓
Jean的本质除了鲁莽就是虚荣 他表面上呈现出来的爱老婆人设 都是为了满足他在众人面前的尊严 从争地到护妻 统统都是满足他个人的虚荣和维持人设罢了 妻子只是他可以操纵的从属品而已 可同时他也是既得利益者中被众人唾弃和嘲笑的人 他的确是个具有“正义感”的人 可黑暗社会本身的信条终归是与正道背道而驰的 而最后的决斗和豁出去也绝对不是为了给妻子复仇 单纯只是为了挽回自己的名誉 而愤怒也大多出于对谄媚强权名贵的憎恶 可难能可贵的是 第三章的女性受害者视角 包括她与婆婆以及其他女性之间的对话等 都显示出她才是深陷泥沼却无法忍受着强权压迫和束缚的真正“绝醒之人” 冲破父权的邪恶以生命的代价来换取真正的正直 如果历史足够戏剧 希望俩男主在决斗中双双战死 成也父权 败也父权嘛 哈哈哈哈我看挺好
他们只是一群事不关己的观众
长久以来女性作为生育工具被男性当作附属品，我猜幸好女性还可以生育，否则就会变成猪圈狗窝里的生物，仅仅在发泄兽欲时被需要。她们只是个洞，恰好容纳魔鬼的折磨，知道这千百年的历史，才能知道祈求爱情是女性的一厢情愿。雷德利始终的忠实追随者。
只有高潮才能怀孕的女人，额。被强暴与有快感是两回事。我的快感只属于我的丈夫。名不正言不顺，引爆花心也没用。第二段才是真相。中世纪的Me-too。三星半
可以可以，我老婆看的爽死了，吃了两包麻辣肉~一个橘子~几块牛肉干
雷老爷子太厉害了，能科幻能历史。三个所谓的真相，看到了男人物化女人，迷之自信的一脉相承，也看到了女人历来被物化，被作为男人的附属品的悲哀，即使丈夫为了妻子而决斗，却并不是为了妻子的清白，而是自尊心和体面。所有人，亦或是说所有男人，关心的只是决斗的精彩和男人的勇猛--无人关心真相是什么。女人却都默默知道却又只能默默承受。女性主义电影又一教科书式的作品，相信这部叫好不叫座的电影能够名垂青史。
看完了，能不能加一星。
拍得还行挺有质感的，不过文戏偏多，也因为这个系列的打戏比文戏精彩很多，所以最后一部难免没前三部那么好看，另一个问题是佐藤健演得太沧桑了，按理说这个是前传剑心只有十几岁，不应该有中年人的感觉，也可能是这种状态太难演了，毕竟演员都三十多了，得兼顾少年感和被事故冲击后的落魄感，对于佐藤健来说太高难度了本来他就不算演技精湛的演员，他的短板就跟这个系列一样，武戏好于文戏，雪代巴就是个花瓶，没有电影的镜头感，美是美但差点气质和味道，戏演得也有点面瘫，这个系列前后两个女主的演技都不太好
抛开系列终章的情怀不说，大友啓史真的不太会拍文戏。前面节奏非常非常非常慢，而且大多数的戏在之前几部都以闪回的方式放过了。最后半个小时节奏又非常快。结尾与第一部相接，当配乐响起不由得眼眶一湿，最重要的是，没有《追忆篇》就不会认识真正的绯村拔刀斋。网飞就上线后推荐1235（beginning）4（final）的顺序看
女性力量前所未有的崛起，感谢生在这个时代。
最后的决斗那段很好看。
感谢豆友提醒，忍到这部出资源才开始看最终章；虽然村花真的不是我心目中的雪代巴，也演不出和砂糖的姐弟恋感，毕竟最适合剑心的砂糖在这部也很难再有十几岁的少年感（这可能也是为什么影版的剑心和OVA版迷惘的状态和角度不太一样）；虽然电影和OVA走了不同的风格，但几乎完整复刻原作的拍法以及得当的调整让文戏完全立住了，刀与刀鞘、小人物在动乱年代无论怎样都守护不住微小的幸福。多颗星给我当年最不看好这部能被拍出来没想到却被打脸，以及给我最爱的没能在乱世中守护住幸福的巴和剑心。
2021年看的最好看的爱情片(今天的舞挨是在放映后 虽然电影里凄美诀别 但是看到台上的健和村花 仿佛是剑心和巴转生到了现代😢 巴党哭泣了😭 动作戏已经是殿堂入り所以no comment
全方位地证明了叙事艺术的魅力，这样的作品在如今“剧集盛电影衰”的时代里可太珍贵了。
似乎“不接种就不给绿码”的玄疑故事，此片以“尊严-名誉-虚荣”交织“knife-wife-life”，女的要“爱拼才会赢”，男的是“爱赢才会拼”，男的决斗赢了，最后只有往耶路撒冷拼去了……如此看来，还是《道士下山》里暗含的“接种”比较委曲（不是“委屈”）。
整个系列文戏一直不行，追忆篇又几乎没有特别精彩的动作戏，文戏占了特别大的篇幅，然而文戏的基本内容都已经被人诛篇的闪回剧透的差不多了。所以，思来想去不明白单独再拍追忆篇的必要性。这种状况和二三部的关系一样，如果能融合一下做成真正的三部曲，就不会有现在这样稍显累赘和多余的第三部和第五部
赶紧拍啊！乡亲们都盼着呢。191117//雪代巴要是换苍井优来演就更好了，这个巴一般情况。最后的雪景有点假啊。211212//
耐心看进去前两段才能get到第三段的情绪和细节，所以要看完整，虽然没什么特别技法但也不失为佳作，老爷子不易，我大本到台前纯是来逗的
当背景声音放完了，全程和B聊天。不过关键情节是看到了
Copyright © 2015-2023 All Rights Reserved
