This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.
This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.
The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.
The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.
从恋旧到呼救，从希望到失望……赖特电影自从变身流行金曲MTV大合集之后就不再好看了。
喜欢的演员又合作了，“why women kill”+扬名立万“一个女孩想在舞台上唱歌怎么了”缘分啊撞了主题了，而且都是一把火烧了个清白
3.5 雷声大雨点小，虎头蛇尾。从香艳到惊魂，电影完成了一次穿梭在时代间的光影转换。虽不敢说是什么女性意识的觉醒，但娱乐性还是很强的。60年代的Anya Taylor-Joy真的是美到让人窒息了。导演Edgar Wright对60年代音乐的执念，从《极盗车神》一直延续到这部，真的很！好！听！
我还以为是致敬(我最爱的)60s，结果更炫酷。现实生活中，数不尽的理想主义女孩兴奋的入读art school，结果现实残酷性格太敏感无法handle reality, then they go insane eventually. It’s quite common and sad.
整个模仿大杂烩后半段跟屎一样，60年代痴恋者和恐怖片爱好者实属忍不了。结尾你就更输了终极还是没逃脱商业模式最最后结尾他妈的有必要吗无语。PS：大家说了很多片我想了半天竟然想到性昏迷！
三星半吧，好多好多梗，剧情的话大人看可能稍无聊了点
看到了很多儿时的动画角色，怀旧直接加一星。
她是天使也是魔鬼，她被害也害人。最后是girls help girls，连埃德加莱特也开始搞女性主题了吗？
/最后那三件衣服真的很有些难看
剧情俗套但是转场惊艳
好可爱啊！我也想做CG手术变成2D人！！！
噱头与致敬之余，赖特在视听上的努力虽一以贯之，但终究不复曾经的灵动。
歌舞惊悚片……现在恐怖片都这么内卷了吗，什么花活都用的上
情怀首当其冲，秀IP依然是迪爸爸的套路。
不够悬疑，也不够恐怖。当女主剪了新发型之后，这剧情就开始急转直下。
加上属实有些内涵的徽章交换和有点像大草原上的小老鼠女主
笑的想亖，太多梗了。感谢这个电影，我终于能分清chip和dale了 ps.老了的Peter pan有点恶啊……
安娜泰勒乔伊太适合复古范儿了，举手投足都是魅力，反衬得女主就是一土妞（不过本来她的设定也确实是），然而前半段营造的气氛太足，后半段剧情就迷之滑坡了，使得反转也显得相当的潦草。
雷声大雨点小。埃德加·赖特照葫芦画瓢意大利铅黄恐怖片过度了，再也没有《僵尸肖恩》那种灵气，只能用霓虹灯、镜子、血浆这些常规元素摆摆小场子。
刻板印象太严重了，依然是惊吓过度的女主、一群不良碧池以及能一夜七次大j8的黑男这样的设定。低配《未麻的部屋》算不上，伦敦《小时代4》。
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