Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
小狗竟是反派我是没想到的，算是这种大团圆电影的一大创新，还不错。
是否作为新电影仍旧存疑(但至少是部青少年电影.
有包袱 有讽刺 有奇观，刻意打造的脑残人设也总比那些无意打造出来的强，相比绝对算是好莱坞近期的好作品。相比指的是同样是今年的 暗夜博士，神奇动物，亡命救护车，神秘海域，尼罗河惨案，月球陨落……他妈的怎么这么多？数不过来的洋垃圾
片名叫错位的青春，电影视听也错位。漫改电影不可避免的夸张化尴尬化在片子里毫无意外一一踩雷。表演的不成熟，剧作和视听的错位，一会黑化丧化，一会情欲化，一会甜美化，一会轻松化，风格反复横跳，看起来内容是塞得满满的，但连最基础的人物动机都没有捋明白。
陪娃看非常好！小朋友第一次完整看完一部电影，值得纪念
人物可爱配音可爱但是剧情过于薄弱了，可能确实不太适合成年人观看。
套路片，从开头能猜到结尾。布拉德皮特这是我第二次看见超快领盒饭了，第一次看见是在演死侍招募的隐形人。XD
三星够了，好笑但梗老，适合视频观看，花钱实属有点浪费～
带毛的甜甜圈还有点可爱，我果然还是喜欢不来泰迪贵宾。。。
一边看一边吐槽，有点意思
典型的披着国内国外合作外衣的“国内资本+国外团队”的片子，无论是故事架构、形象设计乃至剧情把控上，都是国外玩的很娴熟的套路，可能国内方面把控最多的是如何植入中国元素（包括一些烂大街的梗）吧。但是仅就内容来说，主要角色形象设计很讨喜，剧情有一定的铺垫和反转，观影全程是比较欢乐的，美中不足是植入了太多中式互联网烂俗的梗，让全片的台词有点油腻…
前半段还是很好笑的，从小白变成反派的那一刻起……后面的剧情套路也太中国了吧。。。
i mean…人有时候的确需要看一些俗套的浪漫爱情轻喜剧过活的，查宁塔图姆的屁屁和肌肉，一些烂俗的老梗，不会想要狠狠吐槽啦，看一乐呵
最后的感情戏以及环形蛋duck不必。。实在不科学，虽然动画片不用讲究科学，但起码讲点逻辑。
尴尬，虽然部分桥段我也很无耻的在笑，不过可以确定的是，明年这个时候我会完全忘记这部电影讲了什么。
2021.10.5 看预告感觉还挺萌的，但实际表现比较一般了。甜甜圈插科打诨，还玩了时间穿越，但明显有点胡闹，比天才眼镜狗差了十个层次吧。反派小狗的设定也莫名其妙的，很生硬。但甜甜圈这个物种的设定还挺有意思的。
最后的感情戏以及环形蛋duck不必。。实在不科学，虽然动画片不用讲究科学，但起码讲点逻辑。
很不错的亲子电影，有科幻，有历史，有诡计，有善恶，有，，，，很多
里面又是上海又是烟花又是长城的……我真的还以为是国人拍的呢( ･᷄ὢ･᷅ )
片名叫错位的青春，电影视听也错位。漫改电影不可避免的夸张化尴尬化在片子里毫无意外一一踩雷。表演的不成熟，剧作和视听的错位，一会黑化丧化，一会情欲化，一会甜美化，一会轻松化，风格反复横跳，看起来内容是塞得满满的，但连最基础的人物动机都没有捋明白。
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