The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
新一代僵尸女王诞生,原来俩只是烧焦了还没死啊
不如第一部,第一部最起码女主还穿个低胸吊带有点表情,第二部就运动背心全程咆哮了
小女孩长大了,要结婚了,要离开老父亲了……她终究要有自己精彩的人生……
四,妹妹的独立和女性主义
第一部里的男女主在这部跟疯子一样。
只要队友活着,那就是最棒的。
疯批感和脑洞依旧,特别想看到导演把剧集版搞出来,太high了。末日疯狂脑洞,用丧尸口气发电也太囧了,就很搞笑。
僵尸还可以用来发电?还可以用来开车?还可以用来开摩托车???
难看死了
期待3。
深入与僵尸文明的交流互鉴,继续探索、共同构建人类&僵尸命运共同体的伟大实践。僵尸:我是谁?我在哪?为什么我活的还不如狗?
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特效有点五毛,僵尸口气当能源的设定挺有新意,有点搞笑
故事紧接第一部,但是主角变了。
「Love is a habit. When habit ends. You die.」
我觉得拍的挺精致的,没有常见印度歌舞,确实是另一番风格。以及,她的爱可以说出来,而你的不可以。
挣扎,聂鲁达不再写诗,情与欲的毒,点到即止无疾而终时,还会否给与我坚强。
冲丧尸新能源这种新立意,再不堪也不能比釜山行2分低,控尸女这七年可是老了不少,穿衣风格也保守了,没看头了
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创意和第一部一样十足,但是反派太弱,没有压迫感和紧张感,支撑我看下去的就是剧情接下来怎么发展。格局也有点小,总体来说平平无奇+一点小亮点吧。女主有点丧尸的太过了,通篇我很拽的表情确实容易审美疲劳。关键是已经谁都打不过她了,再变得更拽又有什么意义呢?老哥压迫感十足让人绝望的BOSS不好吗?
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