沙面公园

沙面公园 高清

评分：
9.0 推荐

分类： 剧情片 2012

导演： 黑川幸则

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剧情介绍

　　After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
　

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评论:

  • 业孤阳 6小时前 :

    没想到灾难片看成了喜剧片，全片的不合理多到无法吐槽，这么大灾难大家竟然都毫发无伤，电梯下坠都会骨折的好吧？幸好结局还算意想不到，仍然紧张了一把。虽然不知道靠水箱浮出水面符不符合物理常识，但从电影的角度来说还是蛮有创意的

  • 时姝丽 4小时前 :

    👦：四舍五入就是⭐️⭐️⭐️⭐️⭐️

  • 寒欣 7小时前 :

    我看过的韩国电影里面最差的。。。因为每次拿过一部看看都还不错，这次就因为车胜元才看的，结果没有胡子的车胜元太。。。看过《雅典娜》这部电视剧的都知道他留着胡子太酷太帅了，这部电影开始还有点儿意思，结果就成科幻了，还不如就这么拍下去呢，科什么幻啊！无聊ớ ₃ờ

  • 兰彭彭 8小时前 :

    政治正确，且女主活泼得像个穿越的现代人，我真的会谢

  • 侨和泽 4小时前 :

    A very cute modern version | 非常清晰看见Fleabag和Call me by your name的影子 ｜ Persuasion说的是个爱有时差的故事呀，我大概太久没碰到这类故事了，就忍不住睽违地被打动一下 ｜ 多一星给自己的心软and心动

  • 凡洲 3小时前 :

    背信爱的信仰，被地位财富劝服，再相遇，被爱劝服？是这样吗？

  • 彩玥 2小时前 :

    改编的什么玩意儿。

  • 优静 1小时前 :

    没有人是特别的，但每个人都能成为特别的风景，就看是谁在看。

  • 卜飞航 3小时前 :

    这剧情编得实在勉强，非要强行让一群人遭到劫难的赶脚。好好地让人家生活不行吗？

  • 卫绵升 4小时前 :

    emmm… 两星给toscana的风景和美食

  • 令狐鸿志 7小时前 :

    Wow, this is a horrible adaptation that makes almost all the imaginable worst choices. The creators combined Emma 2020 and Fleabag in an incredibly cheap and lazy way without even looking closely into their own heroine, Anne Elliot herself. Jane Austen would deny any possible connection with this piece.

  • 北静婉 6小时前 :

    昨天晚上看着看着在沙发上睡着了都 今天重新看还是没有心动的感觉

  • 怡锦 1小时前 :

    ……低配且一点都不好笑的fleabag版《劝导》。天雷滚滚的魔改剧。让我心理、生理都严重不适。一开始看预告片就感觉是，导演要重现新版Emma的成功，那好高饱和度的马克龙棒棒糖画风。单单只看了开头几分钟，就觉得亵渎了名著。编剧为了迎合市场or为了zzzq，竟然让教母拉塞尔夫人、妹妹玛丽的夫家还有本威克上校都成了黑人。更别说那现代风的服化道，一点都不走心。男主不好看。女主确实有时候演出了她年华已逝的凋零憔悴，但那自嘲戏谑fleabag式表现形式真的让人很难受。全片、全员都在OOC。

  • 捷靖柔 9小时前 :

    听从自己内心，自己思考，自己做决定。

  • 康晨 2小时前 :

    你会重振旗鼓，重新找回快乐you will rally and you will be happy again

  • 抗半青 3小时前 :

    Hurt each other / and get hurt / 难以被定义的现代版改编

  • 明栀 8小时前 :

    韩式套路，人物丰满，很不错的想法和脑洞。

  • 东郭笑霜 1小时前 :

    拍的很随意，服装也好发型也好，达妹给人感觉就是在现代，全程都在关注达妹的颜

  • 振振 1小时前 :

    第一次灾难电影带着喜剧效果，明知道主角不会死，还是捏把汗。韩式地心历险记。。

  • 华雪 7小时前 :

    不考虑现实的bug外，是一部让人又笑又哭的灾难片。还是可以一看滴～

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