Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
战斗场面真漂亮啊，几乎全程汗毛竖起（deku果然是理想型 重回蜜月期了
说实在，影片拍得还算可以，剧情也算合理。估计成本不高，没有大牌明星，要鼓励这种电影。
还不错，道具精致，剧本扎实，算是高配网大了。
网络，原声，104分钟。
场景设置真不错，与世隔绝的小镇，树林加水域，女主几个口红颜色都挺好看，也有韵味，剧情略生硬
虽然有不少地方处理的不好，但是制作还算有诚意吧。
说是摈弃一切个性，但结果不还是靠邪恶个性来阻挡英雄，这种设置就有点双标了。。。最后打斗有点小热血
3.5 观感竟然真的还不错，丰哥的打戏真的让人忽视逻辑问题。结尾太gay了吧
单纯的无聊，到处都是真人电影缝合的影子，不如前两部
恐怖全靠梦境，病毒可以变水陆两栖动物，我去年买了个表
ロディ开车，久的衣服晾在外面的时候，车内画面应该很牙白x
有一说一，如果不考虑触放国人底线的话，看的是真他妈爽，但这个跟堀越耕平有什么关系（垃圾作者，人类之屑），骨头社牛逼。唯一让我有点感觉奇怪的是，明明最后就剩四十多秒，为什么绿谷少年还能跟boss打那么久。
黑木林的场景设置明明挺让人眼前一亮的，剧情发展走向和前作高度相似也就罢了，水怪的戏份大打折扣，其中还混杂了很多特效桥段，这才是最要命的。为什么这一部要搞温情向……这种故事，狗都不看，呸！
不反感
这是我看过的哭的最惨的一部恐怖片。（我好像有特异功能，能感受到清河的痛苦）
后半段看哭了我居然。清河把骨笛交给姐姐，记忆中的姐姐说，听到这个就是姐姐叫你回家。可是，再也回不去了。
影2021.047 真没毒sir剪辑得好看
还行吧，王真儿的近镜头感觉都不像她了，全程就是着弟弟，清河好惨。
热血漫一贯的风格，永不放弃。
最后战斗安排上感觉几轮下来没有太大翻上去。。略可惜。。但冲击力还是UPUP
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