Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
温情戏铺垫太长，后面关键的作战场面一带而过
这系列韩国人表现我很拽的方式全体都是——
哈哈，只有3分钟的立体军事打击燃，人设太雷人，男主尽然提前挂了，叙事也很随性
俄国人拍电影真是喜欢闪回，这里的黎明静悄悄、机组乘务员，家庭、爱人，浪漫的一塌糊涂。动作戏场面不小，但一点波折悬念都没有，直升机来了，受伤，走了，最后抢人，来了，抢到了，走了。前面那段抓恐怖分子还不错。
这么低的评分，不会就因为是毛子在里面暗示了美国人在幕后吧
俄国人拍电影真是喜欢闪回，这里的黎明静悄悄、机组乘务员，家庭、爱人，浪漫的一塌糊涂。动作戏场面不小，但一点波折悬念都没有，直升机来了，受伤，走了，最后抢人，来了，抢到了，走了。前面那段抓恐怖分子还不错。
战斗利落，文戏emm
哈哈，只有3分钟的立体军事打击燃，人设太雷人，男主尽然提前挂了，叙事也很随性
当战机加推力爬升的时候，仿佛置身其中感受那速度。战斗场面比较少，剧情嘛…看就完事
俄式主旋律大片，和美式主旋律片子一样。苏-24的几次近距离飞行拍摄很彪悍。如果按美式主旋律片子的模式，还会有一个叙利亚女孩，善良美丽，被极端组织胁迫，最终被英雄救出。前面的文线有些冗长了
工工整整，多角度叙述，展现了一个人的家庭，国家，队友等等。挺好的
不是很激烈的一次小战斗，不过毛子的战争片总给我一种不一样的感觉。
最大卖点是真实故事改编，拍摄效果很是一般，一部简陋的战争片。
看的很爽 特效可以 如果电影院能看到就太爽了....魔女三可以安排了
俄罗斯影片中用俄语覆盖里面其他语言可真难受。救飞行员高潮画面太吓人了，就差核动力潜艇没出动啦😓最后迎接英雄遗体时飞纸飞机挺感人。
军迷福利
战争对个人对家庭的伤痛太大了，总有人会倒下，但是总有人为了更多人的安全而宁愿倒下。刚看完长津湖再看这个，虽然故事发生的时间背景都不同，但是本质是一样的。
整部电影的节奏有问题，没看出来重点是什么。导演既要表达军队战斗场面，又突出了俄罗斯对士兵的重视和军事的强硬，但是前面的铺垫却讲了太久的家庭情感以及出征前的准备。平铺直叙流水账一般。
1、1的武打编排风格独特，2已经怪力乱神了。1号魔女多多少少还有个bug得扎针儿，妹妹2号魔女已经进化得毫无破绽是神级武器了，五米以外根本无法近身。2、期待许久的李钟硕完全是走过场，还想着既然扮演的是老队长怎么也得打一下，失望到最后。3、前面真的不只是慢，毫无营养的台词堆砌就是为了拖时间。4、那两个拽英文的聊天巨巨巨巨无聊，中文对话更是尬上云霄。
动作戏升级不少，故事线也多了，应该是给续集铺路。故事重点就是打得爽，变成“怪物”的人轻而易举使用超级暴力的手段打人，还打不死。这种玩游戏一样的暴力爽片，确实很受大数据时代的观众欢迎。
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