Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
小李评分：6.6
自卑以自负的形式向外投射 作为教练父亲传记而非运动员传记 竞技的部分做出了取舍
像滨口龙介那样开始（ Drive My Car的手语🤚），像李沧东那样结束（Peppermint Candy的小白花❀）。
同样希望Leylah在新的一年，“Stay focused and Don’t be afraid!”
从贫民窟走出来的灰姑娘的故事，可能剧情上稍弱于《摔跤吧，爸爸》。但是因为直面了时代背景下的各类歧视，这也是一直有的问题，必须面对和去沟通、解决的事情。
敏喜和导演互道i love you 的时候我要甜晕了，我不管就是十级主观的给打满星
# 有赖大小威姐妹的参与，服装/装备的高还原程度令人信服。
刚好女儿有天赋刚好女儿又愿意……
作为一个网球迷，对于威廉姆斯家真的一点好感都没有 所以，这部电影反倒减弱了一些黑滤镜，也帮我回顾了一些网球史。
对理查德有点过于美化了（他真的挺窒息的），他对女儿的爱＝对女儿们的控制＜他的drama 即使他真是一位了不起的父亲，但是或许，这也只是一个意外成功的偏执狂，相比于威廉姆斯姐妹…澳大利亚同时代的多克奇就没这么幸运。
为什么老是扫别人的兴
If I gotta be brutally honest (and I will), 我对洪尚秀实在喜欢不起来，也感受不到金敏喜在本片里美/出彩在哪里。
抛开奥斯卡最佳男主角 最后的影像资料更叫人激动
故事其实蛮工整的，而且也没有什么拖泥带水的地方，关于美国梦仍是那么明显，不是人人都可以轻易成功。不多不少带有政治正确吧，种族歧视、性别歧视等等，都踩在了现在的风口上。
这位理查德的成功真的是侥幸
威尔史密斯影帝表现
真的是国王。未必专业但会煽动，未必有底气但会说服人，未必坚持计划但总会往好的方向发展。虽然不赞同鸡娃，但穷困又多犯罪的环境，你不鸡娃，结局只会更糟。谁会没事吃饱撑的，自己玩玩不好非要鸡娃
挺好看挺平稳的，最近看过的片子感觉都在讲上世纪传奇，不过天才最终能成为天才主要因为最初就是天才，只是没有被毁掉。威尔史密斯值得一个影帝，至少他演谁都挺讨喜。
本片的体育部分和剧情是结合而非分离的
除了要女儿接受教育外，这片一点都不讨喜，男主自己说要谦逊却跑去坑教练，不到最後段根本是个专横，自以为自己最懂的货，就算两个女儿成功了，只看这片我根本看不出男主哪里是King(蛮横度倒是对上了)。
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