"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
醞釀了這麼多年，醞釀一把好大的刀，直接插進胸口還狠狠地轉他個好幾圈。在電影院裡的廁所平復情緒，仍組織不了什麼語言，我心死了。劇 透就是居然有聡哥來配音….エモ，但……媽的我心死了，什麼都拯救不了我。それでもやっぱね、これぞOOO、もう、大好き。
含剧透慎。
剧本和皮套真的有在敷衍
配乐用的也是极其糟糕，我想不明白在感受了映司的告别之后为什么还要放一遍原TVOP的变奏，你应该知道那首歌的基调如何叭？
虽然没有说出口，不要离去 ，剩下我一个人，
（2022电影vol.11）
情怀满分，片子本身30分
有点像真司，有点像巧爷，不知道小林阿姨自己来写会写成啥样…
总体上有概念，但细节和承接完全没有，看完是不满足的，刀我可以，但你刀的太草率了吧，一个小时不到就结束。不过，重点重点重点，你结尾的歌曲，不说了，回忆回来了，还是要感谢，起码让我和ooo的故事有了句号。五星，情怀加两星。
大伙看着好像都没多大变化...矢作穗香还是那么好看😍😍
真的是火野映司不断付出的一生，小女孩的线也圆上了，映司抓住了他想要挽救的生命。
除了boos皮套劣质到让我出戏，剧情是真的不错！我真心看腻了那种全家桶骑士的剧场版了……
シェアハウス和生前葬广告片。但是女王和五郎好可爱啊！
为什么会有这种为了刀而刀的剧场版呢。编剧脸都不要了？tnnd
真的是火野映司不断付出的一生，小女孩的线也圆上了，映司抓住了他想要挽救的生命。
周年纪念作品，皮套和特效以及全员回归是真的很有诚意，但时长太短了，打戏文戏都短，而且作为真结局真的要用一个be去代替另一个be吗？我不理解
我好像懂，我又好像不懂，我也不知道我看了什么
按常理来说，剧版里面映司已经是greed了，他应该不会因为肉体死亡而死亡的，但是我感觉也是庆幸的，映司应该是假面骑士中活得最累的，他自己太无私了，也许死亡对于他来讲也是一句解脱
这一次映司抓住了安库的手，了结了粉丝的遗憾。再见火野映司，再见假面骑士OOO。
就算没有成为OOO，映司也最终会走向死亡吧。很久没有因为看假面骑士而流泪了
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