Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’
The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.
一星给happy ending，两星给风景镜头
作为一个30多岁的男人 我居然感动哭了 受益匪浅 更爱自己的媳妇和孩子了
目瞪口呆 我是土狗我爱看 这很种田文 xs
’我从未告诉任何人我的真名.真到现在.因为这是我唯一拥有而不会被夺走的’
如果我是灭霸，将会是十分之九
还是去年的有意思一点，今年的这部没怎么笑过。
经历过黑暗世界的人，见过真正的救赎与自我拯救，看到这部片子内心太震撼了~
我爱你 没有什么能改变这一点
宗教色彩很浓 像是要传教 女主的自我蜕变还是蛮励志的 长得也好好看
中规中矩的按照小说的结构顺序拍了下来，但是真的很一般，很多人物细节心理活动都没描写出来，远没有小说给我的触动大，果然文字的魅力是影像拍不出来的。乌鸦为什么像写字台？因为我爱你也没有任何理由。以及，不要激动爱情，等他自发。
作为一个小年轻（00后）看完电影虽然说没有肖申克的救赎这样带来巨大意义，但还是受益匪浅。
“we didnt learn anything from 2020”
究极大舔狗 加 老实接盘侠 除了看个美人面容以外 简直令人折磨。
谁可以这样爱人？谁可以这样爱人！没有“人”可以凭自己做到的吧
没有去年好看了因为实在是too many sad jokes，最好笑的还是太空鸡鸡。。
十几岁的我会相信单纯的不求回报的爱情，相信有michael这样的好男人，相信一见钟情；但我已经不是十几岁了。
被爱当然让人快乐 但是有时候有个人值得你去爱更会令人幸福！
电影以1850年代加州淘金热为背景，讲述了一对年轻夫妇的爱情与残酷的现实之间的冲突。本片改编自法兰辛·里弗斯的同名小说。
我在今年有什么收获？收获是2020年大家什么都没有学到
想说这样的故事也就发生在电影里，现实根本不可能，男主太完美女主作，还好结局是he
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