The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
剧情相对有些老套，反杀来得太突然，一般，三星吧。
出门周旋
剧情简单略无聊，场景就一个（家），没有发人深省的思想内核，拍得很一般。
出门恐惧症患者疫情下居家办公福音，不出门系统bug修复程序员计件拿提成灵活用工新业态………最后拨打911那段“有人闯入，有人受伤，还有三具尸体……”太酷了
“看”的两种作用力：监视与帮扶。索德伯格终于收起了玩心，认认真真讲了一个大数据+疫情时代下人人自危又休戚与共的症候。
作为上世纪就出道的60后导演，却有股年轻导演的冲劲。索德伯格属于少数的既能保持别具- -格的作风，还能不断尝试自己喜欢的想法。这回是希区柯克穿越到现在拍了一部《新后窗》。★★★*/7.4
有点点致敬但剧本真的明明很多地方都可以更好
无聊的片子，就不去比较情节与演技哪个更差了。
导演。。老了吗，我看的时候以为是什么小导演的处女座，一看导演主页都吓一跳
动作版内在美。12小时的轮回，身体可以更换，记忆可以消失，唯有爱意永不磨灭。最后的枪战节奏紧凑，比较流畅，尹启相现在已经算是硬汉演技扛把子之一了。
1.疫情时代黑色（幽默？）电影🎬；
结束出门
尹启相对于多种身份角色快速切换的掌控力还是弱了点儿，这种题材的角色其实非常适合河正宇。
索德伯格的covid时代后窗。小片很见功力。
给一个大公司或是组织卖命是个危险的事，一旦你干了不利于组织利益的事，就有可能被除掉了
情人与恐惧症
喜欢女主离开公寓的几场戏的不规则构图，带劲～
一般。看题材以为会很有意思，但拍的不太好。女主的蓝色头发太好看了！
九十分钟，有张力、有悬疑，小巧玲珑型的故事。
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