Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
三星半。粉丝电影和全家欢向电影的结合，看得出布局背后世嘉对低龄市场的野心。
第一步因为Covid-19延迟上映，第二部出来了，某些地区还没有结束，索尼克，快点！第三部出来时会如何？
放过西游系列吧，还有金庸系列。行行好。。。
前面金凯瑞带着红色卫士和钢铁侠的无人机群去抢闪电侠的灭霸手套，后面就没逻辑的注水假婚礼，然后一段夺宝奇兵，之后大战是教学蚁人如何打败反浩克装甲，最后索尼克化身惊奇队长...简直超英大杂烩乱炖，比第一部差远了，也就金凯瑞能看
今天无意翻到这部片子，以为就是很差的网络大电影。但没想到挺意外的，剧情人物都很精彩。虽然知道是老版大话西游的基础在创造，但我一点也没有拿来对比。故事独立完整性，人物串联也可以，主演的演技在线。
Sonic说要当英雄，电影就拍成了超英片。几颗宝石合成的绿翡翠，Sonic翡翠加身后变超级赛亚人，蛋头博士借绿翡翠用万磁王技能造了台”环太平洋“式的大机甲等等，各种IP元素信手拈来就用，场面全面升级，除了故事低幼，120分钟略长，娱乐性是足够的。
非常非常非常低龄向，但特效制作都很出色，很多吐槽也很有梗，仅此而已，最后的彩蛋人物，了解索尼克系列的，估计会很High
这都能票房大卖，只能说疫情之后大家是真的没啥好电影看
变成超级赛亚人之后从天上取热狗这一段还是看笑了。
太多意识形态层面的东西 又只局限在层面 从里到外透露着一股傻气 明显不如上集
续作暴露了硬件上的剪辑问题，总觉得好像少了一两帧画面（比如突然出现的脑壳）。伊德瑞斯·艾尔巴的配音水平发挥不太稳，前期脑壳还没返水时不嘴炮还好，后期跟索尼克站队话变得多起来以后就有明显的不适应。
一部比较不错的娱乐电影。
拆成2部，一部儿童电影，一部成人电影，也许就能看了。
第一部挣钱了就出续集，延续前作四平八稳的创作套路。依旧子供向，抢来抢去的麦高芬，化敌为友加上主角光环，依然金凯瑞。
这下面的短评，跟某东某宝的刷单一样的感觉。
整体故事还算完整，部分情节逻辑不太对。道具、服装还原还是蛮好的，演员演技也不错，算是同人作品里及格的了。片中给达叔专门留了特辑，谢谢导演。
索尼克童年回忆啊……居然电影给的是英雄孩子的定位，自己是自己的英雄没错，学会照顾别人也没错……一部爆米花的合家欢，轻松的消遣我远足骑车后的盛夏。
西游cp的爱情线编得不错（本来很担心的，结果成了意外之喜，对周星驰版至尊宝保持敬意的同时又给了角色新的光彩，血肉丰满的“伪”英雄），男主演技也好（呜呜侧脸真的像黄轩是我脸盲吗），可惜时长太短导致衔接僵硬，而且主线剧情实在太像捉妖记了……
剧情也有点拼凑的感觉，虽然有着围绕王者翡翠的争夺战之类明确的主线，但是感觉也就1/2是真的有点剧情感。
“暗影计划”！！！
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