Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio’s sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren’t for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.
The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.
If you miss it you will have to repent!
比第一部好看！因为有tails！他真的好可爱！想抱抱他！knuckle也挺可爱的哈哈哈！不过瑞秋的婚礼尬戏可以再减一点。
sonic the atlas / sonic the hotdog
基本与第一部质量齐平，故事俗套流水线，所以请来两位红黄同类坐阵，蛋人再次竹篮打水一场空，重复了第一集的主题方向，细节平平，但特效真的给足诚意。
预算多了不知该怎么花掉所以疯狂水时长，这种儿童片拍成90分钟不好吗？金凯瑞是唯一看点
Sonic looks more like a doll or a puppet than an animal, let alone a sprite.
哈哈哈哈，越看越想入坑索尼克，
女主角的扮相很适合呢
特效怪好看的，就是剧情吧……找到了自己的team挺好但你别叫他爸爸啊！？救命看起来还有3……
还是要夸一夸金凯瑞饰演的蛋头博士，神经质依旧，剃了光头喜感加倍，看完让人印象深刻。
没想到1已经很烂了2还能突破下限
机器人挺有喜感，但是剧情很老套就是那种一开始我就知道结局的那种……
在挺过了第一部的画风争议后，本以为续作就可以随心所欲地进行创作了，毕竟都有塔尔斯和纳克鲁斯两位新角色的加盟了，照理说应该去主要展示这些游戏角色而非无趣的人类角色了，结果本片愣是硬生生加了诸如瑞秋和卧底FBI的婚礼、周末治安官韦德和与西伯利亚人斗舞等不少感觉完全就是用来凑时长且关联性并不大的情节，虽然我也知道本片是一部真人电影，但我相信大家来看也是为了去看由金凯瑞饰演的蛋头博士，而不是这些无聊的桥段，感觉还不如第一部连贯呢。不过毕竟这个系列就属于偏儿童向的爆米花电影，如果不带脑子就去看的话观影体验其实还算不错，有着不少精彩的动作场面，笑点设计也属于合格水准。总体来说，如果你能接受甚至还有点喜欢第一部的话，那把第二部当作休闲娱乐的选择肯定也完全没问题，所以综合后6.3分。
特效不错，反派依旧出色，三主集结场面还是很精彩的
工业水准没问题 镜头内容太差
金凯瑞的演技依旧是亮点，但是也把动画感又往上提升了许多。
印度舞和婚礼复仇最好笑，可惜最终的大机器人好憨啊，直接垮掉。
索尼克，就是变成了闪电侠的彼得帕克。各种细节设定，情节反转都不算新鲜。感觉浪费了一些时间，差评。
躲避敌人为啥还要开车？？？
没想到1已经很烂了2还能突破下限
我这场影院里小男孩超多，影片结尾彩蛋引来最大欢呼。整部看下来很小儿科，不过影片也的确是拍给小孩子的。
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