Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
本来只给三星的，但是这个糟心的过年，我们的熊熊做的这么棒，多给一星鼓励一下，科幻巨作啊，哈哈哈哈哈哈哈哈
本来只给三星的，但是这个糟心的过年，我们的熊熊做的这么棒，多给一星鼓励一下，科幻巨作啊，哈哈哈哈哈哈哈哈
就这么结束了啊……谁要看两个男人缓和关系？好失望😔
说实在的我要是岳父我也看不上这女婿......这货除了心眼不坏以外整个就是一低能精神病...........可能吸血鬼能力太强了，小美人才能一点都不在乎这货的脑残加白痴........立意还行，家人就因该多看对方好的内在！尽量包容对方的缺点或者只是跟你的习惯不同.......故事也算讲明白了！但是各种怪物的特性表现就很没新意，甚至可以说是开始摆烂了.......还有这低能白痴脑残女婿我是真接受不了！简直为德库拉一家感到不值..........
对于这部电影，我既惊喜也失望。惊喜在2022开年就能看到科幻大片，失望在它失去了《熊出没》这个系列的本来韵味：如果说他是给成人看的，剧情太过幼稚；如果说是给小孩看的，剧情不够有趣。笑点也很尴尬，最大的优点在于场面做得宏大。我觉得导演一定是DC的狂热粉丝，剧情中方块的设定很明显参考了《扎克施耐德版正义联盟》中的母盒，也能看到《海王》《星球大战》等电影的影子，他可能想要打造一个“熊出没宇宙”。但这部电影和这个系列的其他几部作品显得格格不入，似乎拨去熊出没的外衣他就可以是一部成人向的科幻电影
布赖恩·哈尔挺还原亚当·桑德勒的声音的，这才发现有傻脸娜
真的不错！！！怀疑特效制作是参加大项目被顶替了，这里报复性发挥哈哈哈
心疼老蝙蝠德古拉，单亲老父亲辛辛苦苦把女儿拉扯大，最后不但不讨好，还被人类蠢女婿记挂继承旅社，这放谁身上能不委屈？
虽然身边这半大小朋友也时不时地笑，但是明显感觉不吸引人了，确实有些虎头蛇尾。
木乃伊、狼人、科学怪人都算看的过去，隐形人增加的恶趣味简直是毁了前三部的形象，临走前都没换件像样的衣服，千万不要看进度条最后的剧终3秒钟的彩蛋，是隐形人的屁股。
PS：有没有人发现牛大哼有点像樊少皇！
广影 还是比较有趣的，只是感触没那么强了。
太失望了，和前三部完全不在一个层次，浪费了这个ip，前三分之一很无聊，后三分之二又吵又套路，johnny就是傻x，唯一有意思的就是几个怪物变人除了弗兰肯斯坦之外都是秃子挺着啤酒肚
刚看完电影感觉，特效很好很精彩。但是和之前看的几部比整体感觉差一点。不过可以看出来，国产动画特效很好了，剧情还是需要继续努力吧。
德古拉当然是老古董，对年轻人的一套心生畏惧，说到底还是不喜欢女婿，让德古拉变成人类，乔纳森变成怪物的点子是对德古拉自私的惩罚，决定离开酒店，到丛林里去组织笑料，并奉上众怪搭阴影救回乔纳森的结尾，无论如何没有失去水准。
是我的错觉还是近几年的大厂动画全部走向了聒噪又低智的道路，密度极高的废话和无意义的人体扭曲动作再加一点煽情桥段拼接在一起，类似套路这两年连看多少部了，麻了
别了，德库拉老丈人。
第一部嫁女兒，第二部當外公，第三部談戀愛，第四部要退休的主題其實算是順理成章的，然而，看似仍然在延續多元融合的主題，實際上淪為一場失控得一塌糊塗的大鬧劇、大爛尾，女婿在這一部裡除了神煩就只剩下神煩了，一個四部了卻毫無成長的角色，Adam Sandler的退出照理應該能省下一大筆錢了，卻沒見動畫把省下的前花在該花的地方。
哈哈哈哈 哈哈哈 哈哈 哈，打住，可以不用再哈了......
电影里面有些桥段的元素等于，疯狂动物城，超能陆战队，变形金刚的集合，尤其是阿布的一个技能，和天火这个名字。
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