Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate. ——Written by Sundance Film Festival
《论：有一双会讲故事的👀的疯批“美人”是如何学会从middle life crisis中与自己和解》
想讲的东西太多了。某块政治正确大可不必，家庭伦理剧不香吗
看到这位Leonardo就知道稳了，再不行看脸都行// 看得精神疲惫不堪，leo叔美好的肉体都没法舒缓。男主双相障碍（易怒、冲动消费、而又及失魂新年夜或瞬间抑郁、恐慌），母亲明显也有精神疾病，病症的遗传性让女儿状况大概也好不到哪里去，两人的相处时常失控，而又彼此是彼此最后的依靠。躁动的镜头和连续而紧张的弦乐场场惊艳...
对不起，我爱惨了，情绪在一部片子里经历大笑大哭，编剧的细腻我太喜欢了
不是单纯的搞笑，是爱情片。儿子在雨中的爆哭，很感人。柳承龙饰演的男主，前妻和现任太像了，傻傻分不清。整体还可以。
情节没主线，像流水线一样的剧情，后半段女主完全退场，看完不知道个所以然，还两个小时，略浪费时间
观感很差，剧本台词都没写好，感觉很塌，又仿佛在说教
肉体的欢愉中夹着无影不在的孤独和迷失。男主终于正面背面全裸，让男女观众大饱眼福，可惜再帅的美男也抵挡不住岁月的无情，水桶腰多少要扣掉1分，哈哈哈。
就是想到某个人了。不用怀疑，再也遇不到那样的人了。
成年父女打闹，猫很安然。
书很无聊，电影一样。勉强能接受北村船戏吧，但是千万不要有胡子啊🙏🏻
It’s an Argentine guy who feels lost with sex love family and life, with his ex boyfriend, who left him not for before, his daughter, who is leaving for university, his mom, who died later in the movie and his ex wife, who has another man now.
可怜了leo叔叔的美貌啊，这片子太过凌乱破碎了。
小而精良，很难见到包袱抖得这么自然的喜剧片了
不是很能融入进去的感觉，部分台词和表达情绪的方式不是很理解，男二伤心的样子还是很帅的，最后结尾有些烂。
可不可以让我再让我再一次回到那个美丽世界里找自己
喝酒闲逛的黎明时分，年轻人大声宣布要改变世界。在街头奔跑，任凭夜风穿透身体，那时候，觉得整个世界都是属于自己的。
浮华生活下尽是空虚寂寞与痛苦，想握住所有的爱却在不断失去怎么也握不住，嗑药酒精性长伴于身，虽能麻痹自己却难以支撑。最后才发现一切源自童年的阴影，幼年的伤疤一直延伸到成年之后，难以和解，处处破碎。又是一部那种看完要抑郁一阵子的电影，实在是太难受了！
pps 虽然我忍着牙疼看了一部乏味的电影，但是主角们的演技都还行，加一分
带着松冈茉优的心情看完了才意识到是黑岛结菜orz要说喜欢还是黑岛结菜哇
Copyright © 2015-2023 All Rights Reserved
