The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
还可以吧,但火候欠佳。说不上来,哪儿块有点不得劲儿
为了反映一个社会问题,印度编剧也真是拼了,脑洞大开。虽然谈不上悬念,一句话的来龙去脉,但还是精彩!
“Emotion can be an asset”
一个有法律知识的女性受害者,孤勇的用自己的方式去抗衡国家的不健全法律,给她给所有受害的女人,一些能依靠的肩膀❗️
想说的事很大,电影拍得太套路了。许多场面难圆其说,不经推敲。
议题确实切合印度社会实际,当然较为理想主义,现代社会肯定是无法让强奸罪死刑化的,印度这种男权高度集中的国家就更是如此了。
It won't be real
教科书般标准但也无甚新意。布洛克精确表演加一星。
但最后对质的戏码还是精彩的,也为印度所有受压迫而反抗的女性发声,还是值得鼓励的。
剧本特好,演绎特好。她低沉的接受又挣扎,多么需要那一个慰藉的拥抱。
3.5//如果能在全球施行此法,要么降低犯罪率,要么大大提高定罪的难度
打完七发子弹,换弹夹,很真实!
印度所需要的觉醒,远远不止一个星期四。
整体节奏还行,政治正确,但剧情略BUG,一整个印度拿一位妇女没办法
立意还行但是女主演技太差,剧情也不丝滑,浪费我时间
剧情有点拖拉了,奇怪的面部特写,一下子就猜到了绑架原因。
是努力使非洲发生的罪恶能够像在欧洲那样得到制止,还是使欧洲发生的罪恶也像在非洲那样得到姑息?类似于此,是要以绑架案才能搏得强奸案的关注吗?以及所有人保护的孩童,会不会某一天也变成强奸犯?我们有太多为什么与因为来促成动机,但却无法评判对错
真的太赞了,意外的惊喜。这部电影能冲奥斯卡么?看了后心脏都疼了。
复仇剧 女主策划绑架,只为见总理,以自身为视角揭露印度强奸的严重性
只有桑婆的演技很棒,剧本有些潦草,每一步都在预知范围,结局收尾仓促
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