Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
上影厂应该是带着政治任务来的，来宣传三胎政策，多子多福，从这个制作与剧本来看是比较赶的，就连上映前也几乎没有宣发。小p孩还是可以看看的，但对我这个成年人来说，越南队长胡图图的歌舞属实尬了点。还是TV版好。
我不知道为什么，我真不知道为什么。
买错票去看的 爷青回 教育意义还是有的 不要以貌取人 环保 关心身边人让身边人开心 关爱老人就是关爱明天的自己
3、4岁以上学龄前儿童可以看看，故事情节简单且温暖。
把以前的动画片放一块就是新电影是吧，rnm，退钱！
结合了很多新鲜事物，比如直播，幼儿园和养老院联动
你们可气不可气。
算是给霸王龙小分队一条完整的故事线了，虽然前半部分是动画片有过的剧情，但整部片都很温馨可爱
我以为起码会和之前那部一样有点现实意义的事实证明我想多了
很可爱，霸王龙小分队超正的!都是善良可爱的小孩子啊!
讲的蛮好！很多环保、关爱老人的道理都寓教于乐，就是在结尾有点忽然，一下子塞进了比较多东西，但是总体来讲是非常适合小孩的电影！我带我八岁的妹妹看的，她很喜欢🤩
带孩子去看的，他们看热闹，我看哭了，老了不容易啊
唯一的收获是见到贾科长了。
大量的固定、切，组合成局部-照片的记忆保存
大耳朵图图，一个聪明善良的小伙伴，他用实际行动告诉我们，帮助别人才是真正快乐的源泉。趁着国庆黄金周，疫情未知之时，不如就近带孩子去电影院看看吧
唉 不知道要怎么评分 前半截以为我在看动画片原片，但是抛开这点，立意和主题真的会点到我的死穴……毕竟这部动画片里我喜欢的最主要的点就是图图和牛爷爷啊😢
关爱今天的老人就是关爱明天的自己，结尾bgm好欢乐！！！
很差劲，直接放了原来动画片的剧情，千万不要去看，无聊到想睡觉
我是疯了，才去看电影的……真的很烂，快逃！
没给一星是因为陪我一起看电影的好友看得很开心。
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