Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
电影时长太短了，长一些故事会说的更好
他抓住了他的手，他牺牲了自己，这次只是换了另一人牺牲，用自己的终末迎接他的新生。
也太太太……散了！yuki也救不了。各种元素一锅炖，养老公寓，生前葬，share house……但焦点应该是，主人公如何应对贫穷困境，这方面几乎没花什么笔墨，几近顺流而下，最后突然拐弯，硬塞share house大团圆（按结尾倒推，难道不该是：破产主妇寻求share house解套，此时又不得不接手照顾婆婆，于是一家子在share house展开啼笑皆非的生活，一番波折后，最终选定share house为归宿……但成片更像是，婆婆的养老生活……当然，如果够好看，一切都是无所谓的
。。。。。？
居然能原班人马回归，而且几乎一点都没变，永恒结婚鸟和诞骑新形态也很好看
踏马的？？？我看这个是为了让你更刀我的？？？？？？？？？？？秀：我要的不是这个结果，打咩
不会被轻轻地尘封。
“选到你是我赚了，毫无疑问。”
英雄为理想牺牲有什么毛病吗？看不得cp被拆没有happy end就打低分?我就喜欢看你们这种幼稚狭隘的cp🐶被破防的样子，你们只配国内偶像剧和抗日神剧。就凭你们破防，我打满分。
映司全场工具人，缺少刻画，但是这皮套太帅了
编剧？？？你还好吧。。。。映司安库😭😭😭😭😭😭😭😭怎么会这样，我恨刀子
最后的心愿是让Ankh复活，为什么是这个呢？
映安太好哭了😭😭
你怎么可能是不抱遗憾地死去的呢。
灾难。唯一能看的只有两个主角的对话部分，演技挺好。这居然能7.6……情怀也没卖好。
这样就够了，让我静静地爱着你。
再见了，火野映司！我真的难受啊，难受啊，虽然硬币是合上了，还是BE了啊
个人评价：
警惕！观看OOO十周年此短篇剧场版你将体验到：龙骑复刻 瞬间修复 必杀头痛 反复夺舍 尾楼冰箱 虚空打人 你这混蛋 奥特奇迹。只能说脚本一般，且模仿成份大，建议直接换回小林阿姨。
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