"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
喜剧片来说没问题，只是说它是灾难片就有点搞笑了。
能和影片中的主角有共鸣的是东亚三国老百姓对住房的普遍痴念。
谢苗的电影虽然没啥大制作，但是我觉得还是挺好的，男人的血气方刚，大义凛然，尤其是那部辛弃疾，觉得挺好的。
工业水平不错，回归家庭，设定有点扯，其他套路化。现实中，美国直接把楼炸了就完了，压根没想救…再找只流浪猫上头条。完美。
光洙的新电影，节奏上有点慢吞吞一开始，中间的剧情有些不太合理，场面上挺刺激的，演员都不错。
铺垫略长，物理bug太多，可以当搞笑版摩天楼看
把课长老婆的镜头换给恩珠，就足以拿到我的四星了。
电影画面很有质感，节奏剧情也很连贯紧凑，当时被荼毒的中国社会表现得很有深度，真的很不错，打戏很多很燃！！
动作戏很好看，谢苗还是演狠角色看着顺眼，跟这个比叶问觉醒就像练体操
本来挺好的题材，各种强行降智桥段，既不是灾难片，又不是喜剧片，哪条都想占，结果不伦不类了… 本来二分，结果看完结局更是减一分。
中国历史上有太多可歌可泣的故事，只要带着一份爱国心，带着一份认真拍电影之心，就能拍出好看的电影！
剧情好科幻就是段子太无聊了哈哈哈哈，黄色潜水艇那么离谱的也能用，看个热闹挺有意思的，3.5
2小时的电影看了半个小时都没进入主题，看不下去了
整个就是喜剧，挺完整的故事，也不过分煽情。
楼顶碰碰车，祖传木凳叫花鸡，中秋给家送月饼，见面一声叔叔好，Yellow Submarine；土味反科学的灾难喜剧，市井人情挺好看
拍的还不错，打斗动作场面也好看，剧情内容一般，网络电影里面属于中上乘的，也有瑕疵，比如动作场面中背景音乐声太大
那个国度都有这种废材垃圾货色，结果人家是王者。贫民区的人民总是各有特色。这么大的倾斜度，是能感觉到的，尤其在躺下的时候。最后那个点睛之笔，太棒了！
灾难片却能用喜剧去消解灾难，简单又完整，实在也不贪心，这不比同期的峰暴香？
与其说是灾难片，不如说是搞笑片。片子的大场面实在太少了，更多的是斗嘴和使绊子。
用黑色幽默的笔触描绘灾难，以市民嬉笑的情节包装讽刺，拿青春交换的住宅不能保命，用债务兑现的尊严一击即破。彼时珍爱的摇椅只是一堆柴火，此刻嫌恶的同伴终究值得拯救弹珠滑落是种游戏，地基倾斜就是个末日，暂时安全是种幸运，旁观悲剧便难以心安。低龄无脑喜剧，适合爆米花配可乐，不适宜安静思考。
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