"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
挺紧张刺激的，就扯了点，反派也突然神经质造反，一直以为男主是河正宇
作为歌舞片来看最大的弱点还是歌舞编排有点羸弱，力度差了一些。故事讲得倒是可以，除了成长和Queer战斗性的展现之外，最喜欢其中关于Drag Queen与日常的关系的探讨。算是有某种对反叛意义和保守主义关系的调和吧，因而片里对反派（男性气质和保守主义）人物的处理也比较温和。虽然我个人不是很认可，但确实没有一些美国片那么mean啦。
馋坏木叶大蛇丸
剧情有点太单薄，不过当3星爆米花电影绰绰有余。
好歹给剧情设定个稍微有点逻辑的科学依据吧？你说这都是幻觉，我还稍微能接受。
本片的存在就是为了证明为什么《跳出我天地》是一部不会被忘记的好作品
一般吧……如果男主的灵魂每次进入别人的身体里，都是那个人在演可能会好看一些
I'm not gay.
刚开始看一头雾水，只知道主角穿梭各个人物之间，不知道演什么，一个小时左右才交代大致剧情。
我发现韩国影视剧如果不提前剧透一下，真看不下去。前奏酝酿还可以，虽然波澜不惊，但也不算磨叽。好在最后 JOHN WICK附体，近距枪战不错。
这干净利落的打斗很韩式，如果缩短一些悬疑的篇幅，打斗戏再长点就好了。
“为什么所有的人都想要救你？”“不是所有人，全都是一个人。”
真不咋地。设定挺有趣，结果后面的节奏就开始拖沓，动作戏也一般，最后疾速追杀上身。看完才知道主演叫尹启相，我一直以为是河正宇。
其实设定蛮有意思的哎，而且男主好能打哦，这里的是灵魂本能，而不是身体本能哎。反派真的好疯哦，有点子带感。
好喜欢这个音乐剧……影视版是顺着cruella的artie找到的，这也太对味儿了
不看到最后，你都不会知道一开始到底发生了什么
主演是《犯罪都市》里面的反派，动作戏拍的还不错。
如果每天可以换到不同人的身体里，希望每天都能从小可爱的床上醒来
还挺好看的，一直被悬疑勾引着，动作也越来越畅快。这么复杂的故事讲的还算清楚。
题材设定有点意思，12小时会夺舍一个人的身体，然后循线索找到开端。大部分逻辑都通，且剪辑也比较顺畅，科幻类型里又一种新颖的套路。就是剧情推进稍有点快，除了主角，其它人物没有立住。三星～
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