A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
很好看啊，各种动画人物的集合，平面，3D和现实的完美结合
迪士尼真是能炫耀ip多啊，虽然故事很俗套，回忆杀还是很开心。小女孩也很开心
层层反转，有些生涩。但运镜挺顺畅的，觉得是老年叮当猫（范伟）一个人的独角戏吧。窦骁稍微弱了点。几度想要落泪但是没流出来，刚有一点点感动就被特意用插叙制造的悬念感给搅没了……
IP大户迪士尼终于疯啦！彩蛋密集得我暂停回看好几次，aunt man的梗又冷又好笑。比起空中大灌篮2的家庭主题，更喜欢奇奇蒂蒂的友情，好莱坞歌颂家庭的片子千篇一律看得烦死了。非常赞同对千禧年那段时间奇怪恐怖的cg动画的吐槽
漫长无聊，剧情老套，故意卖弄情怀看得我真的很麻，过去就过去了呗，迪士尼你做不出来东西也应该向前看。这是一部完全失败的作品，穿插了很多其他动画角色并没有很多惊喜，2D动画还不是手绘的，全程一帧一帧的卡的眼睛好难受，部分画面制作真的很差，看到成人版彼得潘讲盗版的时候笑了一下，然后整部电影就完全失去悬念也没有可看的东西了。
80年代，各类元素的怀旧致敬片... 满屏的玩梗。3.5星推荐
迪士尼联合全世界的退休动画角色实现了再就业，密集的彩蛋让老旧的好莱坞剧本焕发了盎然生机。
2D3D真人混在一起還真是有點彆扭。彩蛋夠多，各路人物串場，但也僅此而已。意外的是寶貝竟然喜歡。
迪士尼玩梗玩得很开心，可惜剧情平淡如水…奇奇蒂蒂这种没头脑和不高兴组合好配（？
对各种经典动画人物的基于当代流行文化话语体系下的解构、重构与各种梗密集的犬儒性恶搞非常有趣。现实与动画相结合的奇妙违和感对于打破第四面墙的努力值得称赞。
每一帧都在说“我就是有所有IP的版权炒冷饭你能拿我怎么样”，适合小学生们看。明明记得这两个花栗鼠是80-90后的童年记忆，看完这片怀疑是不是60-70后的。
是可爱耗子！！！史高治难得在动画里出现一次，怀着感激的心加到四星hh
但是满满彩蛋，满满童年回忆，我爱了。
就是這個配方.......就是這個味兒。然後大D家這次真的是把壓箱底的IP都挖出來搞聯動了
把真人和2D、3D动画都结合起来的电影，新鲜感还是十足的，而且里面除了迪斯尼其他知名动画片的角色外，还出现了环球、索尼的多个经典角色（版权怎么谈的？），有点“大家来找茬”的惊喜。但彼得潘之类的角色和形象都有点“毁童年”的感觉，确定这部动画电影不是来黑各种给我们带来乐趣的动画的吗？还是创作上深受前两年被深深诟病的“黑暗童话”的影响？
因为没有看过老版，所以没有感情共鸣，剧情有设计但不是特别吸引人，一般般，爆米花电影吧。
尽管除中国以外的世界大部都放开疫情了 但是很明显美国的电影工业并没有因此而呈现灵感井喷的趋势 事实相反 其和中国电影界比也就稍好一些 美国电影界普遍都在压榨老ip 这部电影是集大成者 迪士尼的ip有的没的全都炫出来了 一堆角色在电影中互动确实挺有意思 近年来不停的翻拍、重启、大杂烩 但是这么持续下去不会是个好现象 希望世界影人都可以更加努力为观众呈现更好的作品 这部电影最主要的看点就是大杂烩 故事情节和过去好莱坞电影的剧情公式一样没什么好说的了
除开玩梗和致敬以外就真的挺平庸的，毕竟是网络大电影，也不能要求太多…
主流动画街地下世界芝士鸦片馆和布偶黑拳；恐怖谷3D怪奇黑暗建模下城区下水道玩具脱逃；漫展骷髅王提醒希曼穿太少受凉，Aunt-Man师奶侠，可乐熊扑倒万兽王；T-1000橡皮泥黑警液态侵入铁框过头急冻玻璃心好评；晕厥时头上冒的飞鸟亦是打工人深夜加班不易；如果罗宾威廉斯还在的话，老彼得潘应该是他配音吧 :( 我也要看古惑飞天徳！！！…… Lonely Island 团队拍出了我等八零后动画死宅们的童年，《松鼠大作战》也是个人当年最爱的红白机双打游戏之一
本片适合有大量美国电影观影经历且人在中年的观众观看，因为影片中包含的彩蛋太多了，很多彩蛋是上世纪的经典IP，当代年轻人不知所云，就连我这痴迷电影几十年的超级电影迷，很多彩蛋都要暂停或重看才能领会其中奥妙。这种彩蛋梗王类的电影，对路人观众并不友好，因为“外行看热闹”，路人观众会因为电影知识储备量不足而错过或看不懂大量嵌入的彩蛋梗。
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