After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that "Uncle Mitsuo dropped Itsuki." As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...
演技不错，剧情其实能猜到大概，的确最可怕的是阶层蝼蚁的原罪，难以抬头
桑德拉布洛克都快六十岁了哇，最近两年几出大女主的戏个个精彩，就一个字，稳。凭本片应该能入围奥斯卡了。
电影很朴实，平静中隐约有种神秘力量，两个小时的时间，竟然在毫无波澜的剧情中不知不觉度过了，没有想看的兴奋点，到最后也没有大起大落。
没人关心受害者及受害者家属，包括旁观者和施暴者。通常地，所有人的视角里没有受害者，没有受害者家属。
为了妹妹健康成长，选择扛起罪行，背负一切。
女主可以拿奥斯卡了。剧情虽然有点为对而对，但她的演技的确是无可指责
女主那入木三分的演技，妹妹那无声催泪的拥抱。真是一部好电影。不过，这片的悲剧难道不还是枪支泛滥的问题吗？一把枪如此明显地放在靠墙位置，还上了镗。一个五岁小妹娃也可以举起来轰掉警察。不可饶恕的应该是美 国军火商和永远禁不掉的枪支问题 。
不过导演对于情绪的控制力还是可以的。
感觉有希望冲击奥斯卡，冲着布洛克的演技多给一星。
最后反转略为惊喜，其他拍出了很美国的样子，但五年前的水平。
虽然支线剧情凌乱且欠缺收束，配角人物弧光有头没尾，但依然瑕不掩瑜，片子整体很成熟，女主演技非常值得一看
布阿姨的演技太棒了。无助有故事的眼神。
在枪口下救小姐姐那场戏，
拍出了另一面的西雅图，是码农的泡泡世界里没有的那一面
低估了低估了。娓娓道来，后劲十足。哭得一塌糊涂。
推荐，可看。
粉身碎骨都护之身后称为之爱。
低估了低估了。娓娓道来，后劲十足。哭得一塌糊涂。
就没有人说说妹妹的养母吗？从头到尾，好有理性，好有气质！
桑德拉布洛克都快六十岁了哇，最近两年几出大女主的戏个个精彩，就一个字，稳。凭本片应该能入围奥斯卡了。
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