The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
很奇怪，两对人物关系中都各自只有一个人能令人相信，Howie的脆弱和Will的别扭，相比之下Noah只是泡水的手机，而Charlie甚至不如那艘被偷来的水上巴士。
看到白男恋🐷的剧情我就猜导演是不是亚裔，果然
同志版《傲慢与偏见》，都是些老生常谈的论调，没什么深度的情感，一直在耍嘴皮子，有几个点稍微有些小浪漫。演员选的很有意思，LGBTQ种族大团结。ps：Zane也太帅了～
《逆冰之行》向我们介绍了格陵兰岛主权的前世今生，描绘了即美丽又残酷的极地世界，同时又展现了米克森和艾弗森两人的美好友情，是一部完整又吸引人的作品。
很欢乐的同志电影，www我也好想有个威尔一样的对象www
从写信那里开始渐入佳境，虽然很俗套，但我就是个喜欢看浪漫喜剧的土狗
我说为什么这么新潮的背景下故事架构有点老派，原来是改编的《傲慢与偏见》，可是主CP的化学反应不是太够，戏份也比较少，豪伊比诺亚的存在感都强，多加一颗星给这份大胆颠覆性旧戏新说的勇气。
I just like gays they are so cute
片子本身只有3星，为了这些可爱的角色们，多加一颗星。
上手一个经典故事，并进行更时髦的更新：很多的“肉”、很尽兴的彻夜狂欢、很emo的同志感受、很经典可期的“gayfron梗”以及在各大影视剧努力绽放光芒的配角们。考虑到Joel Kim Booster和杨伯文本身的喜剧功力，Andrew Ahn在《车道》就早已炮制的出色气质，还有对各种尖锐话题进行漂白粉饰性的回避，仍然感觉像张题材试水的“安全牌”，无意完成本应轻松拿捏的推陈出新。但它依然扎实，并且在骄傲月拉开大幕之时源源不断地释放热闹、活泼的能量；快投身于这个夏季，尽情地爱，真挚地面对自己；在炎热之际，唱布兰妮唱Donna。始终很欢乐，并丝毫不介意这般简单。
Funnies shit I’ve watched this year.
Honestly it’s cheap haha, but Joel looks hot
米克森和艾弗森在漫长的等待中，不仅要对抗恶劣的天气和野兽攻击，还分别出现了或大或小的精神问题，米克森船长又犯下了两次足以致命的错误，但在两人的共同努力下，在第865天——差不多2年又4个月，他们终于等来到救援队伍。
有喜剧搞笑幽默的元素，也有大尺度香艳的场面，演员演技也都在线。老面孔好多啊，非常惊喜！希望以后多拍这种类型的同片
虑到Joel Kim Booster和杨伯文本身的喜剧功力，Andrew Ahn在《车道》就早已炮制的出色气质，还有对各种尖锐话题进行漂白粉饰性的回避，仍然感觉像张题材试水的“安全牌”，无意完成本应轻松拿捏的推陈出新。但它依然扎实，并且在骄傲月拉开大幕之时源源不断地释放热闹、活泼的能量；快投身于这个夏季，尽情地爱，真挚地面对自己；在炎热之际，唱布兰妮唱Donna。始终很欢乐，并丝毫不介意这般简单。
和杨一鹏在他家看的，故事比较俗套，但是真实。 给亚洲人点赞
同志版《傲慢与偏见》？不
不太满意这个老套的结尾。热心肠Noah很赞。
某种程度上的性转傲慢与偏见（Will could never be the top）
所有美妙的对话都发生在水边，尤其是夕阳的水边……
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