With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
家里小朋友第一次进电影院看的电影，三个人都很开心😃不过我要吐槽一下，普通话配音故意把所有人的名字说的像英语，可是阿奇的英文名是Chase并不是Archie（虽然也毫不重要），再就是经典台词貌似没怎么出场啊……没有困难的工作，只有勇敢的狗狗！
TA们有钢铁侠的大厦，TA们有蝙蝠侠的车车，狗狗拯救世界耶～
汪汪队一直是儿子的最爱，我也能一直看这群小狗的冒险！感觉电影版无论画风还是剧情都非常好！而且能看到阿奇的成长过程！非常正能量！小孩易懂，大人也不会看得无聊！非常棒！太可爱了，汪汪队们！
汪汪队：我们怎么租得起这么豪华的大楼？ 莱德队长：因为我们周边产品卖得好！
居然还能看下去 以及男主和男狗的故事还居然有点感人 但是我最喜欢的就是小蝴蝶犬 你就是我最喜欢的小姑娘！
BOSS就是个弱智，怎么当的boss也不知道。外形酷似乔布斯＋比尔盖茨合体，也不知道导演想干哈，也不是很关心。
可可爱爱的狗狗们又升级新装备啦，还增加了新成员贝贝！小时候的阿奇也太可爱了！
没有对比就没有伤害，看这个前一天刚陪娃看完喜羊羊打篮球那个，之后看这个觉得这才是给孩子看的电影，太棒了！制作也很精美，配乐也到位，连我都觉得很好看，孩子从头看到尾专心致志！
画面制作很精良，剧情虽然是低龄，但整体处理得不错，儿子看得很认真，大人看也不尴尬。
我旁边小孩一直在喊，爸爸我要看恐龙，恐龙呢。。。擦，我也是这么想的。人比恐龙多，我的恐龙呢？前摇也太长了，仿佛在看碟中谍，这么说起来反派恐龙好歹比反派人靠谱。但是难得的爆米花片，凑合吧。
国产那两部乐色都能6点几 这部不得满分吗？剧情、时长、画风都是给小孩子看的真正的动画片
作为儿童片 各方面都实属不错了 我都认真看了 你说灵不灵
超赞的电影，制作的太棒了，一定要有续集啊！可惜没有在电影院看，不然肯定可以和孩子们一起唱主题曲！
第一进带儿子进电影院看的电影，记录一下。2022.2.5
狗狗们集结的画面神似妇联，酷炫的新战车也让人激动万分，汪汪队周边卖的好，莱德才能更有钱买更好的基地。
孩子爱看汪汪队电影，陪孩子看，还挺好看，不比迪士尼的动画片差，挺好，孩子还想二刷
官方吐槽最为致命！我们怎么有钱住这么好的总部啊？因为汪汪队的周边赚了很多钱哦！
电影画质比动画片优化不少，不再是那种偏平面化橡皮泥小人，更加立体丰满有质感，从莱德到狗狗们都年轻化处理了。
剧情超级低幼向，派拉蒙现在成这样了么，有些桥段还是有点意思，汪汪队大战黑心市长，骚当的片尾曲好听。
情怀不是老三部曲的仨主演尬聊拉家常，情怀是霸王龙耍诈装死逆风翻盘干掉南方巨兽龙啊。喜欢布鲁和贝塔的延续。
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