"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
就很无聊！一想到127个惨死的乘客，我就觉得你俩都挺该死的……
实际上就是类似办公室内斗加诈骗小套路的故事，演员没用好，拍的挺复杂，但没做到见微知著
就…好吧。但是怀念Carmel！不知道啥时候才能再去
徒有其表，内容很空很乏味，感情戏也让人无感，比以前的《尽管雪落》差十几条街
看烂片就像吃垃圾食品，没营养但是不用动脑子，这个好像连垃圾食品都算不上
穿插着无聊床戏和回忆旧情的假悬疑片，想剑走偏锋地去讲述谍战片，却连故事也没讲好。派克船长最近接不到好片了吗？最近一部《承包商》也是烂得如出一辙 @Prime Video
反转的是还可以，就是节奏太慢了，谍战片用这种方式来表达，不喜欢。片名怎么翻译成了宝刀未老？还以为是动作片呢，搞得像言情片似的
放在希区柯克的年代还行，全都是文戏的谍战悬疑
一个悲伤的故事徐徐展开，这就是在别国乱搞的下场
再好的配乐也拯救不了拖沓的故事…原来是讲爱情 （微笑脸
这是什么魔鬼价值观，为了一己之私牺牲一飞机小孩和无辜的人
披着谍战的外衣搞了一个爱情剧，是男人悲哀，还是女人悲哀呢？
…？（有没有人知道片尾曲叫什么哪里可以听啊！！！！全片最棒就是这首歌了啊！！
分这么低？为了看派派也不值这个分吧？派派最近的承包商和这部剧水平都还不错
被迫出卖车臣线人，线人威胁女友，造成劫机事件，8年后重新谈起
稍微沉闷了些，但是反转的很虐心，爱情大于生命
太难看了，没看到结尾的时候没想到那么难看。女主太丑太老了，男主和女主都怀疑对方是二五仔，但是在两人都决定就算对方是二五仔也不出卖对方的情况下，为什么就不互相问一下呢？问一下是你吗？是你干的吗？结尾是有一点小反转，但结果竟然是为了爱情？就离谱，感觉很牵强
没想到哇，挺简单的一个爱情故事，被这样环套环的整的老动人了……最近怎么老被这种强行的反复穿插回忆作品包围！
这部片还是很精彩的，一个特工为了保护自己同为特工的女友（被恐怖分子做了局，恐怖分子还是自己原来的线人，被美国交换情报出卖），泄漏了消息，导致一场惨烈的劫机伤亡事件，时隔八年，在上方确认之后，以重新调查为由，派男主出任务，但是实际上是以女主为尓，做实男主泄密的行为，最终是个忧伤的结局。影片叙事在餐厅一个狭小的时空场景，用大量的男女主角的特写和对话来完成，是男女主角演技的真实体现，虽然是一部特工题材的电影，但是通篇几乎没有枪战，搏斗，是一部非常特别的类型片。
包装成间谍片的爱情片。
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