Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
也就过年合家欢看看，剧情老套!结尾强行年夜饭?!短袖!春节?下雪!连基本都服装也不配合一下。
虎年的全家欢贺岁片。
虎墩的父母出门远行多年未归，四海镖局的大掌柜告诉虎墩“只要你当上镖师父母就会回来”，于是原本爱闯祸的“虎孩子”虎墩立志要成为一名镖师。一次误打误撞下，虎墩接到一份绝不简单的护镖任务，在绝世高手杨镖头的陪同下， 虎墩踏上了一段惊心动魄的护镖之路和成长之旅……
今天看的，八十多个座位的影院坐了50多个人。3D效果还是挺好的，大人孩子欢笑不断，虎年有这么个国漫作品陪伴还是不错的，不知道为什么有人那么恶毒的去贬低《小虎墩》？
虽然虎墩的形象真的蛮可爱，但是会有想打他的冲动，叛逆期也太早了吧！其次鲁妹就是我的笑点
整个电影剧情拖沓 小虎墩像个作精 完全看不出有什么成长的地方 强行煽情 逻辑混乱 套路式剧情 网络用语一堆 国产动画的悲哀
要说剧情什么的其实只能得到4星，但是作为原创的国漫动画，虎墩是有诚意的。首先没有网红建模脸，其次台词没有玩烂梗。从抖音认识虎墩，希望他能走得更远
好无语啊，看了一半不想看了，小虎墩的角色塑造太有病了，他爸妈就是送镖死的 从小在镖局长大不知道送镖危险??开头一幕送花瓶不说了，送稀有的猪还那么莽撞不知道自己是个小孩吗??后来送镖就更不用说了更傻逼，真有病，可能是我本身讨厌小孩的原因，但是小虎墩这个角色我是真觉得恶心
那个手下太邪恶了，功力很高。那个小英雄很逗，很好玩。我很高兴最后他们一家人在除夕夜里团聚了，那个飞龙盘剑很壮观。
忠义护镖，使命必达！这是身为“准镖师”的小虎墩的人生信念，更是始终燃烧在他内心深处的父辈的精气神
故事情节很中国化，每个角色的形象颇具特色
看完熊出没。儿子意犹未尽。还想看电影。结果就选了小虎墩。中间我睡着了。。。 一开头致敬周星驰？
夸过于过，加油~~
国内小公司的小制作也能有这样的水平，不论故事和视觉效果我觉得还不错，值得鼓励。
这部作品还不错，画面可以，剧情也很好，很励志。
也许对电影的预期并不高，看完感觉还不错。虽然是子供向动画，但是配音和动作场面还是很棒的。
唉，怎么说呢，有很多熟悉的影子，而且内核和剧情逻辑立不住啊。让一个11岁的孩子去危险送镖，以完成个人成长，是认真的吗？不建议让孩子们看，容易误导孩子们。很多桥段是为搞笑而搞笑，太生硬了。
动画效果，故事情节，都是一流的，大人小孩看起来都很过瘾！
让人看出一种久违的江湖武侠韵味，一路沿途的风景大气壮观，人物动作干净利落，画面特效可圈可点
都2022年了，还弄俩口齿不清，说话女生的角色来搞笑真的恶心到了。到最后才知道名字都女性化（叫什么鲁妹）。就像贾玲春晚小品说的，嘲笑人家吐字不清。关键也不搞笑啊，我不看字幕都听不清说的啥，孩子们能听清…
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