A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
孙越和梁龙的出场费有点低了，哈哈哈
六七分的样子 反转基本猜都猜出来了 别叫宋晓峰演傻子好吗 实在是太像了 是真傻 彩票剧情有点老套
笑点不断啊，虽然后半段垮了不少，整体也值得给票
葬礼是给活人看的
人活一辈子逃不过金钱，错误，成见，死亡。我们接纳，告别，补偿，原谅，好聚好散，别忘了对过去说一句一路走好。
本来只想给两分，后来又觉得凑个整。给了三分，不抓人，小品的路子。
佳佳这不比之前那些年的东北风电影好太多了，这也算东北第三产业可以的作品了。
1：当年《爱笑会议室》那批人都出来了，非常好（弱弱的问句古筝那丫头怎么没有消息了呢：）。2：要论喜剧，说实话还得剑指东北。2：社会派喜剧，关注刑满释放人员，非常好的话题。
纯粹的喜剧演员的确不适合出演悲剧，无论情到何处。不知何时立意忽然直奔鼓舞人们接纳改过自新的犯人的方向，姥爷“曲线救国”的方式意图挽回自己年轻时过错、征求主角原谅的方法直到最后都没让观众想明白，毕竟主角的女儿在治病，而人物关系本是悬念，揭露的那一刻原本应该有的震撼却因关系混乱而让人东西难分。
整体的故事比较完整，笑点也不算尬。佳佳说话没东北味显得和周围人有点割裂，男主对父亲的复杂态度铺垫的略显不足。题材特别好，演员的表演都能达到及格线以上。
监狱都放过他们了。怎么你还不能原谅呢？爱与放过。
如果抛开以前爱笑会议室的崔志佳自导自演，那这个片子可能就只打2.5星。上镜看里崔志佳胖太多，毕竟印象里几年前还是个阳光帅小伙。爱笑会议室是我从初中一直看到高中，里面的赵大明白也是以前辽宁台的主持人（话说以前辽宁台春晚也很爱看）。想到爱笑的这群青年喜剧演员还活跃在荧幕上真不容易，还在坚守当初的热爱，还能看到他们的面孔。就片子本身，倒是觉得挺踏实，走的挺踏实，“不架空，会啥说啥”感觉是初学者最理想的表现了。🤔最后结尾的吐槽崔自己也明白吧，上镜效果好一些还是减减肥吧，现在脸蛋子已经向蜡笔小新看齐了，减减以前的帅气脸还会回来的
能感觉想学肯洛奇《风吹麦浪》 也能感觉没学好
🎯主题主旨：
相比主旋律电影的恢弘叙事，这次镜头用山水画般的诗意美学，对准了一群普通士兵。他们大多很年轻，接到军令，48小时完成任务。在迷雾缭绕的山林中，与敌人殊死搏斗，从开始有人逃避，充满质疑，到循着光走出山洞，从容奔赴战场，坚定信念，完成了人性懦弱到勇敢革命信仰的转变。身在泥沼，心在云霄。最后那炸破敌人弹药库的轰隆声，如同惊雷一般，响彻大地，仿佛在致敬那些无名英雄，致敬浙西南的革命精神。
#BJIFF2021 No.2#北影节主竞赛单元影片，映后还有质量较高的主创见面活动，主创与观众一同全程观看的影片。全片摄影和美术令人印象深刻，其他方面属于一般水平，在资金有限的情况下一部战争片完成到这种程度实属不易。影片故事的大框架像《1917》，风格像《风吹麦浪》，尽管一些地方有似曾相识之感，但仍可见主创在艺术探索方面所做的努力。本片大概值三颗星，但冲着这样怀着赤诚之心为中国电影积极做出探索的主创团队，值得再为他们加一颗星。
有笑有感动，这不比那些作假的流量明星演的东西好看？？！！
电影不是谁想拍，想拍就能拍。欢乐喜剧人的最大影响就是让一批人干上了导演。
虽然是小品式电影，但作为网络大电影相对及格。
能把这么多人整一起也是难得，东北已成网剧一大分支。。。
Copyright © 2015-2023 All Rights Reserved
