The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
七分，天才牛仔退隐江湖与世无争善心萌动卷入恩怨阴沟翻船。
铺垫草率不可怕，可怕的是还给你来个自以为是热血结尾你受得了吗？
简单的剧情，简单的拔枪战斗，一切都中规中矩
长枪，旷野，牛仔帽，骑马，血浆，苍凉的音乐，西部片元素齐全。法外狂徒所有的柔情都给了儿子。The world is changing.You go see It’s a place I don’t belong in no more.I’m hoping …..you do.结尾儿子怀亚特向着远处离开的背影好苍凉啊。
父子情这个线挺揪心，翻出枪套那个时候，故事就立起来了
不相信救赎的杀手，养大了方圆一百里唯一不会打枪的男孩子。后来他学会了。
小家子气的，或者你可以称为内敛的，一部对八十年代西部片的印刻。
大镖客粉丝一本满足，结尾扣1星，氛围感是真的棒
前面节奏有点慢
传说中的比利小子变成了老比利，见识过大风大浪的人处变不惊，大杀四方，却终究暗箭难防
The world is changing
节奏慢得惊人。为毛要先安排一场拿长枪与匪徒对峙的戏？
一般，就最后干了一仗，发现是农夫与蛇的故事。一代代就这样教育，就这样苦哈哈，惨兮兮的，谁都得防着。说一堆有啥用？还不是又穷又没文化。
you go see it
竟然是比利小子，英雄迟暮永远是个值得表达的题材
悠长的音乐，广阔的外景，舒缓的节奏，传统的西部片。
西部片大概就是追求一种情调，旷野，粗糙，野蛮，传奇，秘密。前面所有的蓄力，就是为了最后的砰砰砰。敌人全倒，谜底揭晓，这个老实巴交的农民，原来就是传说中的谁谁谁。
中规中矩的致敬西部片。每个细节都挺考究，但也都没有突破
警官反派演技不够好，取子弹那块儿很明显。基于真实历史人物的改编，其实更像是如果比利小子活到了晚年会是怎样。现在老年版扮猪吃老虎类型的片子也越来越多了。西部片风格还是自己喜欢的。6.8
他叫威廉·H·邦尼，也叫亨利.麦卡蒂，但他最广为人知的名字是billy the kid
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