Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
Friends are gone as the days go.
青春是美伢口中的曾经拥有，青春是广志口中的此时此刻，我的青春就是《蜡笔小新》陪伴着的二十年。
with 鑫鑫。相比《大人帝国的反击》最后煽情段落还是程式化的，奈何细节到位故事丰满。精英制对青春话语的垄断，用屁股夺回来吧！
Before you form your family, your friends that you met on everyday is your family; but one day, you would marry someone and would have kids, then your friends family would eventually come to an end.. 真是对啊，只不过对于环境宽裕的美国人来说，30岁依然可以在这样的青春期阶段，而对于我而言，也许在高中之后就和那时候的自己说再见了。但是无论如何，都是一段长长的充满了回忆的时光啊～
反鸡娃，反精英，蜡笔小新剧场版再次聚焦了现实问题，并且挥洒着天马行空的想象力。在一所价值观异化的学校内，通过精英分数打造了一整套扭曲的设定，直击教育乃至是阶级层面的种种问题。我们真的永远可以相信蜡笔小新的主题表达。
不觉间泪流满面。从小被要求当个听话的小孩，小心翼翼地做事，时刻洞察气氛，斟酌话语，每每被夸善解人意讲礼貌时也会露出规范的笑容，像工业成品一样盖上合格的标签推向社会后，才后知后觉地感到别扭和恶心，不该是这样的。我不想推卸责任，但如果小时候想看动感超人就能看，敢于及时表达的自己心意，不会有那么多的遗憾，回望自己的青春，也不会只觉得空洞没有实感。希望这样的作品更多一些，让孩子也好大人也好能够看到，在来得及之前。
多加一颗给情怀。我觉得他们的重聚就很开心，没有国内那些重聚那么假惺惺，很多小人物的出现都很惊喜，可惜了好久没有再看到那么好的情景喜剧了
是综艺不是续集。 真好，原来不是罐头笑声，拍摄过程中有现场观众实时反馈帮助剧组及时改善笑点，讨好地改变剧情走向，比那些延时的调研有用多了～Joey发福是因为Joey doesnt share food吗😂 最喜欢菲比的性格和钱德勒乔伊的搞笑～smelly cat爷青回～现场花絮比正片还有意思
看到他们重聚还是挺感动的，六人的选角很恰当，最爱是Ross他浑身上下都充满喜剧细胞哪怕杵在那里什么话都不说也能引人发笑…菲比其次，6人中保养最好的也是她了。想起以前看老友记的欢乐时光各种笑梗以及出彩的客串配角，不管什么时候偶然看到电视重播时仍然会停下来看很多集看了数遍但仍然笑得跟个什么似的…无剧可替，同类型的生活大爆炸追到第五六季也没继续了，老友记已经是不可逾越的经典。
反鸡娃，反精英，蜡笔小新剧场版再次聚焦了现实问题，并且挥洒着天马行空的想象力。在一所价值观异化的学校内，通过精英分数打造了一整套扭曲的设定，直击教育乃至是阶级层面的种种问题。我们真的永远可以相信蜡笔小新的主题表达。
精英教育和个性化教育。青春是什么？青春当然是日剧跑啊！最后马拉松部分看的眼眶一热，我接受自己爱我自己，青春是后悔是孤独是闪亮亮是曾经拥有是此时此刻，青春就是无意义的小事串成的回忆。
最好的告别。重游旧地，重温旧梦，主角们和观众也借此机会对青春无敌的往日时光作出正式的告别。配角出场时间太短，盖勒夫妇都没问问题，珍妮丝也没问问题就匆忙离场了。岁月不饶人啊，大家都老了，乔伊胖了，钱德勒还换了一副口牙。人生难得是欢聚，唯有别离多!友谊万岁!狗x的tx竟然删减了7分钟?!
出乎意料的好！对现实社会问题的嘲讽和恶搞，对生活小细节和恶趣味的捕捉，熟悉的新酱味道，让我想到小新一定也继承了日本庶民剧的风格。这部主题太赞了，将人生意义和价值观具象化，二元但有趣，从阶层化社会到精英教育，暴露的是当下东亚社会普遍的焦虑心理啊……庶民和普通人的价值终于被肯定，再一次感受到了《蜡笔小新》这部作品核心价值观的温柔～新酱，反内卷第一人(┯_┯)看完真是又热血又治愈啊，是有效的鸡汤～
老友记怎么能过这么多年都这么好笑！！！！本人怎么能跟角色这么像，David讲述最讨厌片场猴子时的较真，Phoebe发现虫的反应，Joey听到Ross玩骨头就会笑……5555没想到Monica和Chandler在一起是因为观众的反应……🆘这条线太好了。Rachel和Ross对对方crush过5555老友记真好。看观众采访时看哭了。
很多人给满分不是因为10季的剧集和这段视频本身，而是给了我们看完这部戏后到今天为止的这段日子，有的人是17年，有的人是10年，有的人可能只有两三年，我们把这段日子叫做改变了我们的时光。
情怀满分。可惜的是漫威下的两位都没有出境。
看的103分钟版，没看到有火鸡。把美好留在那10季里就够了。
发布的那天就看了，已经是去年5月底的事情了？好快哦
笑着笑着就泪目了。
编剧说，在二十几岁的日子里，大家寻找职业、寻找自我、寻找爱情，然后相互陪伴，这是人生中最好的十年。的确如此，我想，三十岁的自己一定会怀念现在的生活，并且无论我怎么过二十几岁，都会是有遗憾的。
Copyright © 2015-2023 All Rights Reserved
