Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate. ——Written by Sundance Film Festival
好心的阿拉伯大叔才是赢家,既找到了对象,还洗白了难民身份,哈哈。
话说Netflix上的法剧咋个个都比美剧还傻白甜……不过小姐姐真好看……
司機角色完全莫名其妙,隨意反轉沒啥説服力。
狗血的剧情,四颗星也完全是给Leighton…
真的不知道可以相信誰[Smile]
对山永远都充满敬畏,尤其是自己也曾因为滑雪差点迷失在风暴里,Naomi素颜出演,更是真实的感受到她那种绝望…
娜奥米沃茨近些年就没咋接过什么好剧本啊,,不过依然为她在影片里的表现点赞👍🏻
周末度假海滨,狂欢闺蜜失踪。
-所以那个监控有bug咯 怎么会看出是男jc呢?
比起老套的惊悚片套路,结尾Queen B抱着孩子大步流星走出家门离开渣男的镜头是加分的
既然不是警察杀了你朋友,监控是怎么回事,监控出现了,后面再来反转,就很假了吧。结尾居然是女主干掉前夫,潇洒地走出家门?
这电影最大问题就是三个富二代的改变缺乏说服力人哪有那么改变
阿拉伯司机真的是好人 我开始还担心他是大坏人!
我感觉吧,只因为women help women 这一点便满足的女性观众,真该提高下自己的被讨好度下限,我真的感觉这些年很多作品就靠这个去拉好感,完全不能提供其他有价值的东西。这背后隐藏的是更深的鄙夷,仿佛就是说“呐,你看她们就是这么容易满足,必须加上这些桥段,她们的钱可好骗多了。”
过去哪有那么容易放下,可我们不还得继续前行不是…
交友需谨慎啊。
Wnat a stupid and meaningless and nonsense movie
美剧欧洲的取景,除了巴黎、威尼斯和柏林几个烂俗的城市外,就冲选在克罗地亚就多值一颗星,只是剧情有点老套。
抖音看了个讲解,再自己电视补个结局,一般般吧
呜呼,还不错的反转反转,要是支线再深入点就好了
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