This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.
This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.
The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.
The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.
东日本大震灾版的“夏目友人帐” 河童家族是相当可爱了 治愈系的风格 让人又哭又笑 面对人生的无常与伤痛 我们都只能尽力而为
我觉得解决姐姐问题那里不是很好，因为姐姐的手续交接是存在遗漏问题的。
什么都讲了，什么都没讲好。精怪和婆婆的关系设定倒是挺有趣，可惜没有用好。最后的大战跟玩儿一样……
多灾多难啊，所以寄托于想象力丰富。寺庙神兽还有迷途之家做饭好吃的奶奶，啊想念树木希林！
看到天海祐希买完包那里就可以结局啦吧！最后变成了合租宣传片
从最初の面子到释然の生活
妖怪陆续出现那几个片段不错
感觉侧重选错了，我觉得故事侧重围绕灾后重建的一些人性光辉比现在这个神话故事好很多。
最后一段纯多余。
前面日常部分铺垫太长了，后面的打斗非常草率。U1S1画面很好看
我就说为什么觉得大叔很眼熟，原来是你！孤独的美食家！
从最初の面子到释然の生活
画风是治愈的，但是剧情的故事性少了些，有点太单调也有点中二。
有成长の悲伤也有不屈の勇气
最后的结局出人意料，合租养老，现实没有电影美好。
节奏不行的！音乐也没氛围感！灾后心理的话题…也没表达出来。
更像是一部国家宣传片，没有钱养老，可以降低欲望，可以换种方式生活，可以不理睬别人强加给我们的焦虑，只要像鸵鸟一样假装一切都看不见，就可以happy ending了。
就画面好看，剧情无聊
这个故事是拍着拍着没钱了吗？结尾也太草率了。而且整个故事也有点奇怪，感觉作为后311时代的题材故事和背景联系不够强……
小さい頃は 神さまがいて~不思议に梦を かなえてくれた~
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