The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
Sarah最后在警车里对着镜头的含泪控诉，是每一个底层小人物心里的呐喊
Never is. Never is. It’s always someone else.
女主勇敢、无助时的几段表演很不错。
看
“当国民的健康得不到的时候，他们做了什么，从什么时候我们的生命变得不再平等”看这部片子前，刷到被小区居民驱赶的务工阿姨的新闻，现在的上海太让人失望了
绝望的午夜这场戏朱迪·科默演得真好，只是结局的出逃有点突然... 三星半
Sarah中间在护理中心打电话的时候好无助
新冠下的护理机构，疫情初期的风口浪尖。为了感情线的发展，结尾稍微有点戏剧化了。
泪流的片子，Jodie Comer演技爆棚。
片尾怼脸特写质问zf非常有张力、过渡也很自然
有点空，对于新冠→制度的指控浮在表面，少很多应该说的东西，情绪也总是缺失积攒的过程直接爆发，走向也有点奇怪，摸不到头脑.jpg
Good movie to bring is truth and reality.
我烦请那些短评榜的阴阳怪气的反思怪们，好好的“独立思考”一下，此片固然是敢揭短批判的”说实话“，我们的主旋律就不是“讲实话”了？、
女主从Madame de Carrouge变成利物浦口音的前问题少女和护工，表演仍然具有可信度。看完电影让很多回忆都回到一年多以前。后半部分略有点牵强，缺乏说服力，可能是导演想要制造一个高潮然后批判一下吧。
热评可拉倒吧，什么样的人才会天天把洗脑一词挂在嘴边啊。
一个小故事，一个平凡人，切入点特别好，故事讲的很清楚
中半小时疫情来袭，环视疗养院应急处理的无序，特写隔离时期的无助情绪。
但有用么？
看到啾迪对着镜头的控诉真是泪流不止，我们总是擅长把怜悯赠给不需要怜悯的人，对于真正需要帮助的又恐时财压力而逃避不视。同样的题材，拍出来的却是云泥之别…
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