With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
估计有最初的一版剧情，希望也能有个导演剪辑版。
可能因为一边看一边在工作，反倒没觉得有蝠同享那么不堪忍受。奇怪的就是好像这个片子的主创压根没想好自己到底应该处于哪个宇宙中呢？一会儿蜘蛛侠一会儿毒液一会儿又暗示X战警， DC都学会独立成篇拍自己的了，还蹭啥宇宙啊。啊女主角真漂亮，当年演过《毒枭》，跟冈萨雷斯长相很相似，气质很不同。
成熟的红色植物果实中含量较高，尤以番茄、胡萝卜、西瓜、木瓜及番石榴等中更为丰富。在食品加工中可用作色素，也常用作抗氧化保健食品的原料。番茄红素是植物中所含的一种天然色素，主要来源于番茄、西瓜、番石榴、紫色葡萄柚、木瓜和胡萝卜等植物，其中番茄中含量最高。研究发现番茄红素具有抗氧化、延缓衰老、抑制肿瘤、减少心血管疾病发病、提高人体免疫力、延缓骨质疏松、抗辐射等作用，可以作为备孕女性的保健品，也可以帮助男性提高精子活性。还可以预防男性得前列腺炎。大量饮酒后，少吃西红柿，西瓜和番茄红素保健品
一星给特效，一星无疑给莱托少爷，但是，剧情倒扣一星，俩彩蛋倒扣一星，所以合计四舍五入一星不能更多了，谢谢。
不好不坏吧，索尼恰烂钱，但是还是比迪士尼有意思，可能有点看腻了
Morbius.2022.1080p.WEB-DL.x264.AAC-EVO 蝙蝠侠结合吸血鬼。
与《毒液2》的失败几乎如出一辙，虽然还是耐着性子看完了，主角的不断进化，最终升级了召唤术，极其励志的情节。
蜘蛛侠惹得麻烦没完没了。
一人一个超英梦，少爷又接大傻片。动作场面挺有意思的。
活脱脱一部低配吸血鬼版的《毒液2》，不知道的以为是毒液+蝙蝠侠的组合。毫无人物塑造，亦无感情铺垫，B 级片的内容却无 B 级片该有的血腥打斗。漫威别拍了，流水线质量越来越不行
男二的鞋是啥牌子，哪买的，天天都穿，打成这样还不烂，能不能给我来一双
各路差评之下降低期待值后看完觉得还行，剧情平庸特效来凑，倒也不太难看。
剧情太老套 最后彩蛋生硬 但是比毒液2好一点 在地铁里飞的一段还不错
作为索尼和漫威联合推出的超影电影，获得资源并不多，特效中规中矩，剧本乏善可陈，及格吧。
毫无期望地看完，剧情老套特效也不太出众，但是看的还蛮爽的，可以理解为何媒体评分那么低但观众评分还过得去了。
秃鹫都穿来索尼蜘蛛侠了，两代索尼蜘蛛侠外加毒液都穿去mcu英雄无归了，2022年了怎么还有人在撇清关系？两边共享同一个多元宇宙设定，关系不比《哈利波特》和《神奇动物》远，一荣俱荣一损俱损，扑了就是扑了有什么好洗的？还“秃鹫穿越来未经漫威ceo许可”，这么严重的侵权行为索尼没被迪士尼告到破产？大家都看了这么多年超英，角色版权的从属关系一个个都门清，还能聊成这样我也是醉了。
第无数次证明，所有打算宇宙化量产的项目群背后都需要有一个凯文•费奇。
故事老套也就算了，但我真的很久没有看过这么暗的画面了，暗成一坨黑，为了省特别特效预算真是丧心病狂。
耶稣变成吸血鬼，嘻嘻。只爱搞设定而忽视情感线会崩的一塌涂地，而且设定很老套：顺风耳，爷会飞，与动物沟通。仿佛几百年前的泰山也可以啊。科技感也没有，有点土味视频的感觉了。
2.0。1.兄弟对立能理解，但是反派转变太快毫无征兆。2.特效、服化道、场面都乏善可陈。
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