剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 汝长逸 9小时前 :

    精彩,但是不完全精彩,打半天也不开个领域,好像看的挺爽,又好像啥也毛看到

  • 镜盼易 9小时前 :

    MAPPA在战斗方面的发挥还是一如既往的稳定,对于剧场版还是用了心的。将短短的一个番外改成一部电影十分的不容易,影片节奏十分不错,娜娜明和京都校友也都出场露了脸,。

  • 濮夏彤 8小时前 :

    看完突然觉得0的漫画剧情不适合改编成电影,电影展现的情节太细碎,带来的影响就是每一段战斗场面表现效果都不如几年前的fate stay night电影。 当然,画面基本达到了院线动画的最高级。

  • 灵淑 4小时前 :

    爱才是最扭曲的诅咒还有乙骨的我们是纯爱真是金句。

  • 谷粱思远 7小时前 :

    里香和骨子哥真的好好嗑啊!太喜欢乙骨忧太了,又温柔又强大,还超级帅(ノ∇︎〃 )

  • 闫傲雪 2小时前 :

    超出预期的好看!意外买了一张4D的票,凳子随着打斗和音乐一起震,简直燃爆了!!还能爱绪方姐姐100年!!!

  • 相建树 3小时前 :

    除了纯爱战神那一段有点cheesy整体是很好看的 竟然在电影院遇到了那么多宅男宅女

  • 邗蓓蕾 0小时前 :

    乙骨:真是失礼,我们可是纯爱 夏油杰:那我就是大义

  • 柔雪 4小时前 :

    节奏太快了!!但还是很好看 打算去看动漫了!

  • 苌英范 1小时前 :

    剧本完整但老套。剧作中规中矩,后半程打斗精彩加大分。

  • 森夜春 7小时前 :

    星星给很努力的搜妹下下和各位声优。前半担心后期票房,后半觉得嘿没事咱靠剧情,至少咱只靠剧情也能行,哪怕每个镜头五条都长得不一样。马趴,把完美主义打趴。

  • 甘颐和 9小时前 :

    有点无聊 对于老粉的一种情怀吧。想要讲的东西很多,但啥也没讲好。关于爱情我笑了。

  • 馨桂 1小时前 :

    适合大荧幕的改编,观感比原作tv还好,多亏换了波主角才没那么像火影了

  • 苟乐贤 6小时前 :

    剧版告诉我们 纯爱战士才是坠diao的!另外,我老公好帅 天下第一帅!!!

  • 查怡悦 7小时前 :

    感觉人物画风有点崩,乙骨性格和我想的不太一样,五条和夏油羁绊倒是很明显

  • 王紫安 1小时前 :

    啊,纯爱番。夏油五条好cp,男主太过于日剧大男主风格了

  • 祁易 7小时前 :

    被一个设定打动:爱是诅咒。比起TV版的热血漫路线我更喜欢这个剧场版。确实好看,能把倩女幽魂的框架改造成阴郁的少年漫题材也是很有趣。女鬼和书生真是永恒经典。如果我是原作,不会把主角换成虎杖。

  • 郏子薇 4小时前 :

    骨子哥那句“我们可是纯爱”直接让我笑出来,总结一句:夏油ntr失败,纯爱战士是无敌的✌️

  • 福振 3小时前 :

    一脉相承没有跳脱出去的感觉,但是也有剧场版的通病节奏太快,很多人物一带而过,故事也不够清晰完整。最终大战竟是“纯爱”与“大义”对波,连压轴登场的玉藻前都没展示一下技能就没了,有点遗憾。

  • 禾阳煦 6小时前 :

    queerbaiting 鄙视之 我愿者上钩了 鄙视自己

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